#defaced

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Another set of defaced Buddhas that have been there so long that they are gradually fading away; Loc

Another set of defaced Buddhas that have been there so long that they are gradually fading away; Located at the Longmen Grottoes world heritage site, Henan Provence, China.


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One of the many partly defaced Buddhas at the Longmen Grottoes world heritage site, located in Luoyo

One of the many partly defaced Buddhas at the Longmen Grottoes world heritage site, located in Luoyong, Henan Provence, China.


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 Nick Cave   (US, 1959)Cave’s training in dance choreography and textile art inspired him to create

Nick Cave   (US, 1959)

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Cave’s training in dance choreography and textile art inspired him to create Soundsuits, named after the noises they emitt when in motion.

Cave created the first Soundsuit in response to the brutal beating of Rodney King by police officers in Los Angeles in 1991. Soundsuits protect their human content obstructing bias on the basis of race, gender, and class.

Website:http://nickcaveart.com


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Alia Ali   (YE-US, 1985)Glitch, INDIGO series, 2021. Pigment print with UV laminate mounted on alumiAlia Ali   (YE-US, 1985)Glitch, INDIGO series, 2021. Pigment print with UV laminate mounted on alumi

Alia Ali   (YE-US, 1985)

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Glitch,INDIGO series, 2021. Pigment print with UV laminate mounted on aluminum dibond in white wooden frame 33 in x 33 in // 84 cm x 84 cm. Edition of 5 + 1 EP + 1 AP

http://www.alia-ali.com/INDIGO-1/Glitch

https://www.instagram.com/p/CTmy-I3o-47/

In Yemen the indigo process was mastered by Jewish artisans who had ties to the Jewish community in Uzbekistan, likely united through the trade routes of the Silk Road and Mecca, which not only served as a religious center but also an economic one. In Uzbekistan and Yemen, master-weavers would take the fibers to Jewish Master dyers for Indigo. These communities, though fragmented through religion, collaborated on the same cloth. These interwoven relationships transcended beyond the textile, and echoed across different communities in Asia and North Africa. Despite seemingly disparate backgrounds, cultures and terrain, we are all in fact connected through historical production of textile and symbolic meaning.

-from artist’s statement for Indigo


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Alia Ali   (YE-US, 1985) Ayn, WARP Series, 2022. Pigment print on photo Rag 310gsm with UV laminate

Alia Ali  (YE-US, 1985)

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Ayn, WARP Series, 2022. Pigment print on photo Rag 310gsm with UV laminate mounted on aluminum dibond in wooden frame upholstered in wax print
57 × 32 × 3 in // 144.8 × 81.3 × 7.6 cm (framed)

http://www.alia-ali.com/WARP-1/Ayn

http://www.alia-ali.com/WARP-1

Emerging Talent Awards 2016


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Conflict is More Profitable Than PeaceAlia Ali   (YE-US, 1985)Under Thread series, 2019 - HyperallerConflict is More Profitable Than PeaceAlia Ali   (YE-US, 1985)Under Thread series, 2019 - HyperallerConflict is More Profitable Than PeaceAlia Ali   (YE-US, 1985)Under Thread series, 2019 - Hyperaller

Conflict is More Profitable Than Peace

Alia Ali   (YE-US, 1985)

Under Thread series, 2019-Hyperallergic

Creative Activism Award 2021-instagram

Part of Conflict is More Profitable Than Peace, 2019 photographed binder 

http://www.alia-ali.com/UNDER-THREAD

Conflict is More Profitable Than Peace, 2019
Video duration: 17 min
https://vimeo.com/394988376

“Conflict is More Profitable Than Peace is a photographed binder translated into time-based media documenting the ongoing war in Yemen…

In order to sustain itself, my adopted country, the United States of America, depends on the destruction of my native country, Yemen, and others like it. The closest term to describe this feeling must be a relative to cannibalism…”

http://www.alia-ali.com/LIBERTY-1/Conflict-is-More-Profitable-than-Peace


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#skullart #tattoo #metal #engraver #sugarskull #death #liberty #coin #money #coins #skeleton #skull

#skullart #tattoo #metal #engraver #sugarskull #death #liberty #coin #money #coins #skeleton #skull #artist #newworldordnance #hobonickel #color #drawing #sketch #money #engraver #defaced #currency


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A woman has been arrested after defacing a painting by Eugène Delacroix at the Louvre satellite museum in Lens. The 28-year-old told police she had scrawled “AE911” with an indelible marker on the painting, Liberty Leading the People, to draw attention to an organisation that appears to believe the 9/11 attacks were a conspiracy…

Read more here: http://www.guardian.co.uk/artanddesign/2013/feb/08/delacroix-painting-defaced-louvre

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