#doctor manhattan
I put on an eight hour video of nature sounds so I can draw plants and frogs and shit and ended up with Doctor ManHankton.
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Yahya Abdul-Mateen II Is Soon To Be The Next Blockbuster King
Yahya Abdul-Mateen II is the Hollywood heartthrob we have been waiting for. He’s the kind of man you wish you knew in real life; he’s smart, talented, fun and foine, exciting in all the right ways.
Just look at his résumé. His first big role, as “Cadillac” in Baz Luhrmann’s 2016 musical TV drama “The Get Down,” showed that he had superstar instincts. Cadillac was a disco-dancing gangster, and Abdul-Mateen got to be silly and intimidating in a flashy role that revealed just a sliver of his talent. Then, in rapid succession, he appeared in “Baywatch,” “The Greatest Showman,” “The Handmaid’s Tale,” “Aquaman,” “Black Mirror” and “Us,” offering a broad scope of roles that prove he has the range. During the opening credits of one of his projects, you may not know what to expect — and that’s exactly how he likes it.
“It’s really about being able to have artistic freedom of choice,” Abdul-Mateen said over the phone. “I made it a point to not ever be typecast into a very specific role. That’s what that journey is for me, making sure that I’m not locked into a specific place and can exercise my curiosity. I’m very happy to be able to do that. I kind of like that that’s my calling card right now, too. I want other Black actors and creators to be able to do the same thing.“
Head here for the full profile.
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Doomsday Clock #7 hit the shelves last week, and while the story does recover one major piece to the larger puzzle, we are sadly still no closer to seeing (let alone understanding) the larger picture that is the post-Flashpoint DC Universe. We especially don’t know what writer Geoff Johns wants to say about DC’s haphazard reboots and their long term damages to character vitality and the integrity of their core mythologies.
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