#fashion 40s

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US Vogue May 1, 1948❤️❤️❤️❤️❤️

Model unknown wear a striped dress by Adele Simpson.

The cloth. Shining example of known cloth woven in a new way to give a totally new effect. Hope Skillman uses a damask weave of cotton threads with this result: a completely-cotton material that looks satin-striped.
The dress can be what you make it. a day or evening matter. By Adele Simpson.
The stocking shade: Prestige’s soft “Baie d'Argent
.”

Photo Horst P. Horst

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US Vogue June 1948❤️❤️❤️❤️❤️

Model unknown wears linen-y rayon pants by Majestic. Wool jersey, Vera Borea design, by Groblue.

Straw basket; House of Italian Handicrafts.
The automobile: an Oldsmobile converstible
.

Photo Frances McLaughlin.

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US Vogue June 1940❤️❤️❤️❤️❤️

Model unknown wears a dress of white lace and chiffon par Paquin.

Photo André Durst

vogue archive


US Vogue June 1948❤️❤️❤️❤️❤️

This wedding dress is made of white mousseline de soie: a full crinoline skirt, a covered bodice gathered between lines of Valenciennes lace. Designed by Jacques Griffe.

Model Unknown

Photo Karen Radkai

vogue archive

The model wears a ring fisherman blue beach suit with green belt by Carolyn Schnurer. ❤️❤️❤️❤️❤️

Photo Serge Balkin. Glamour Magazine June 1, 1946

US Vogue June 1, 1947❤️❤️❤️❤️❤️

Model wears strapless maillot, minimum one-piece coverage in brown. Of Lastex and worsted jersey; with its own matching pants. Claire McCardell design.

Photo John Rawlings

vogue archive


US Vogue June 1, 1947❤️❤️❤️❤️❤️

For a country dining room, or a patio. Ice-yellow and heat-yellow in a stretch of dress.By Clare Potter.
The one red of Bendel’s “Cheerie-Cheerie” lipstick.

Photo John Rawlings

vogue archive


US Vogue June 1946❤️❤️❤️❤️❤️

A model wears a sun dress and a short pants to match, by William Baldwin. Tina Leser design in balloon cloth.

“Sunspirit” make-up by Frances Denney.

Photo Kay Bell

vogue archive

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