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Marchesa Luisa Casati as Empress Theodora wear a crown formed of eagles, 1905.On March 2, 1905, Tryp

Marchesa Luisa Casati as Empress Theodora wear a crown formed of eagles, 1905.

On March 2, 1905, Tryphosa Bates Batchellerwrites:

It was supposed to be a ball characterized by the fancy dressing of the head and hair, but, as a matter of fact, most of the women came in elaborate and beautiful costumes. Far and away the most elegant and most beautiful costume was worn by the Marchesa Camillo Casati, of the famous Casati family of Milan. She was dressed as the Empress Theodora, in a perfect fitting princesse gown of cloth of silver heavily embroidered in gold. The costume was an exact reproduction of one worn in Paris by Sarah Bernhardt a short time ago. The Marchesa wore on her head a crown formed of eagles, and had some of her diamonds set up in a large diamond eagle, which was her only corsage ornament. Two or three ropes of her wonderful and famous pearls hung loosely about her beautiful neck, and altogether she was quite the most stunning persona at the ball. She is a handsome woman, tall and slight, with a beautiful figure and splendid carriage. Her hair is a light chestnut color, and she is always pale, though her paleness is of that attractive sort that does not indicate ill-health. She is said to be one of the best dressed women in Rome on all occasion.


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John Galliano for Christian Dior, Haute Couture, Spring Summer Collection, 1998.Tribute to Marchesa

John GallianoforChristian Dior, Haute Couture, Spring Summer Collection, 1998.

Tribute to Marchesa Luisa Casati.

Not long after his arrival at Christian Dior, JohnGalliano invited us all to Paris’s Opera Garnier, where he staged what was probably his most lavish spectacle ever for the house on its grand marble steps. With the Marchesa Luisa Casati for a muse, the clothes looked straight out of an early 20th-century salon or ball. There were backless velvet gowns in Art Nouveau prints, opera coats with deep mink trim, lace sheaths and skirtsuits, and rose-strewn picture hats. And for the finale? A shower of pastel-colored tissue-paper confetti cut into the shape of tiny butterflies. Pure magic. (x)


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John Galliano for Christian Dior, Haute Couture, Spring Summer Collection, 1998. Model: Debbie Deite

John GallianoforChristian Dior, Haute Couture, Spring Summer Collection, 1998. 

Model: Debbie Deitering.

Tribute to Marchesa Luisa Casati.

Not long after his arrival at Christian Dior, JohnGalliano invited us all to Paris’s Opera Garnier, where he staged what was probably his most lavish spectacle ever for the house on its grand marble steps. With the Marchesa Luisa Casati for a muse, the clothes looked straight out of an early 20th-century salon or ball. There were backless velvet gowns in Art Nouveau prints, opera coats with deep mink trim, lace sheaths and skirtsuits, and rose-strewn picture hats. And for the finale? A shower of pastel-colored tissue-paper confetti cut into the shape of tiny butterflies. Pure magic. (x)


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