1) Be made by a filmmaker who identifies as a LGBTIQA+ person of colour on any subject
or
2) Be a film made by a filmmaker of any identity that is either a documentary featuring LGBTIQA+ people of colour or a feature/fictional short that features LGBTIQA+ people of colour as one or more of the central characters.
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GLITCH Film Festival is thefirst LGBTIQA+ people of colour/ QTIPoC Film Festival in the whole of Europe.We create an international platform for LGBTIQA+ people of colour art. Now we are joined by our sister festival AKS http://www.aksfestival.com/ - the 1st sexual minorities festival in Pakistan - who are also open for submissions for their Copenhagen 2016 festival.
We depend on social media callouts & solidarity to create the second year of our groundbreaking film festival.
“it’s so much better than that though. It’s about the children realizing they didn’t understand the parents as well as they thought and the parents realizing that they had passed down generational trauma and both parties ending the trauma together paving way for a happier family. Honestly it’s probably a result of more people getting therapy and our society getting more open with talking about mental illness” -FB comment
The scale up of ARWall production in the last 4 years is dizzying to track. I can’t get over the size of this ARStage used on Discovery.
Indie Filmmaker Michael Plescia pioneered it back in 2018 and now less than 4 years later its fully integrated in to production workflows. A combination of improvements in OLED refresh rates and experience curve bringing the cost of larger panels down.
There’s going to be an explosion in ambitious indie film making when you can essentially write a play and use videogame engine virtual sets that look like Hollywood blockbusters.
Won’t be long until there’s small production houses with this gear in every town.
