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fripperiesandfobs:Town dress with chemisette owned by Empress Josephine, First Empire From the Chafripperiesandfobs:Town dress with chemisette owned by Empress Josephine, First Empire From the Chafripperiesandfobs:Town dress with chemisette owned by Empress Josephine, First Empire From the Chafripperiesandfobs:Town dress with chemisette owned by Empress Josephine, First Empire From the Chafripperiesandfobs:Town dress with chemisette owned by Empress Josephine, First Empire From the Cha

fripperiesandfobs:

Town dress with chemisette owned by Empress Josephine, First Empire

From the Chateau de Malmaision Costume Collection app:

“This high-waisted dress with its square, low-cut neckline and decorated with white embroidered flowers and leaves is typical of the fashion at the start of the First Empire. To conceal the low neckline, it could be worn with a chemisette which was slipped inside the dress. This one is in white muslin, embroidered with a sprinkling of flowers and embellished with a ruché trim. This outfit comes from the family of Madame Poyard who looked after the Empress’s wardrobe after 1809.”


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Marie Antoinette (1755–1793), Queen of France, in a Court Dress by François Hubert Drouais, 1773 Fra

Marie Antoinette (1755–1793), Queen of France, in a Court Dress by François Hubert Drouais, 1773 France, the Victoria & Albert Museum

François Hubert Drouais (1727-1775) was born in Paris. He trained with his father, Hubert Drouais (1699-1767) and then with Donat Nonotte (1708-1785), Carle van Loo (1705-1765), Charles-Joseph Natoire (1700-1777) and François Boucher (1703-1770). He became a member of the Académie Royale in 1755 and achieved quickly a great success as a portrait painter, receiving prestigious commissions, especially from the court.

This painting is a portrait of the Dauphine Marie-Antoinette, consort of the future king of France, Louis XVI, at the age of 17. It depicts the princess in a lavish court dress adorned with sumptuous jewels. This portrait was used as a model for a tapestry made in the Royal manufactory of the Gobelins by the Cozette father and son in 1775. This portrait is a good example of French state portraits of the 18th century and the representation of an almighty royalty about to fail in a few years time.


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Woman’s dress in two parts by Jean-Philippe Worth, 1896 Paris, the Museum of Fine Arts Boston

Woman’s dress in two parts by Jean-Philippe Worth, 1896 Paris, the Museum of Fine Arts Boston

Midnight blue/black velvet 2-pc. dress (possibly for mourning) with large puffed-sleeve bodice and trained skirt


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Mourning dress by Amédée François, ca 1880 France, the Metropolitan Museum of Art

Mourning dress by Amédée François, ca 1880 France, the Metropolitan Museum of Art


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tiny-librarian:Simon would buffet him on the head, or kick him away, adding the remark, ‘Get to bed

tiny-librarian:

Simon would buffet him on the head, or kick him away, adding the remark, ‘Get to bed again, wolfs cub; I only wanted to know that you were safe.’ On one of these occasions, when the child had fallen half stunned upon his own miserable couch, and lay there groaning and faint with pain, Simon roared out with a laugh, ‘Suppose you were king, Capet, what would you do to me?’ The child thought of his father’s dying words, and said, ‘I would forgive you.’”

Memoirs Of The Court Of Marie Antoinette, Queen Of France - Madame Campan


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