#gabrielle coco chanel
Gabrielle Coco Chanels elegant apartment with the bronze deers who once belonged to Marchesa Luisa Casati.
The gilt-covered woodland scene that frames the salon’s marble mantelpiece is reminiscent of the work of muralist Josep Maria Sert, Gabrielle Coco Chanel’s close friend.
There’s one thing that caught my attention the most. A couple of bronze deers that very few people know to be owned by Marchesa Luisa Casati. In fact, by 1930, Casati had amassed a debt of twenty-five million U.S. dollars and, unable to satisfy countless creditors, her personal possessions were confiscated and auctioned off at the Palais Rose in 1932. Among the bidders was Coco Chanel, who purchased these bronze deer mascots. After Marchesa’s failure, all her objects, artworks and rare collectables were sold and lost and many of these works, today, remain untraceable. That’s why this finding is invaluable! (x)
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Marchesa Luisa Casati in a fountain dress made of wires and lights by couturier Paul Poiret, at the Beaumont Ball held by the Count Etienne de Beaumont in Paris, 1924.
The Beaumont Ball in Paris 1924 (an event with a guest list so selective that Gabrielle Coco Chanel was excluded for being too ‘trade’), was a homage to Pablo Picasso and theCubists. The dress made entirely from wires and lights, it was too wide for the entrance to Beaumont’s ballroom: the artist Christian Bérard, who witnessed Marchesa Luisa Casati attempting to squeeze through the doorway, reported that she collapsed like a “smashed zeppelin”. (x)
De Beaumont’s fêtes reached an apex in 1924 with the ballet series Soirées de Paris, which took place at the Théâtre de la Cigale in Montmartre from May 17 to June 30, 1924. An homage to the review of the same name by Guillaume Apollinaire, the series included the scandalous ballet Mercure, which featured music composed by Erik Satie, sets and costumes designed by Pablo Picasso, and choreography devised by Léonide Massine. (x)
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