#george balanchine

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Tina LeBlanc and Davit KarapetyanTheme and Variations

Tina LeBlanc and Davit Karapetyan
Theme and Variations


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Sofiane Sylve in Balanchines Diamonds

Sofiane Sylve in Balanchines Diamonds


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Ulyana Lopatkina and Andrey Ermakov in Mendelssohn/Balanchine’s “A Midsummer Night&rsquo
Ulyana Lopatkina and Andrey Ermakov in Mendelssohn/Balanchine’s “A Midsummer Night’s Dream” at the Royal Opera House, Covent Garden on tour with the Mariinsky Ballet, August 2014. Photo by Dave Morgan.

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wehadfacesthen:Dancer Lew Christensen in a 1937 photo by George Platt Lynes. He is in costume for th

wehadfacesthen:

DancerLew Christensen in a 1937 photo by George Platt Lynes. He is in costume for the George Balanchine ballet Apollo


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George Balanchine’s Concerto Barocco, with Marie-Jeanne, whose line stretches to infinity (and who w

George Balanchine’s Concerto Barocco, with Marie-Jeanne, whose line stretches to infinity (and who was the original ballerina in the piece), and William Dollar.


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Dream Team: Marie-Jeanne, Dorothy Etheridge, and Nicholas Magallanes in George Balanchine’s Concerto

Dream Team: Marie-Jeanne, Dorothy Etheridge, and Nicholas Magallanes in George Balanchine’s Concerto Barocco, 1945.


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“Someone once said that dancers work just as hard as policeman, always alert, always tense. But i dont agree with that because policeman don’t have to look beautiful at the same time"
-George Balanchine
Stéphane Bullion and Valentine Colasante (Concerto Barocco),  Vincent Chaillet (the 4 temperaments) Stéphane Bullion and Valentine Colasante (Concerto Barocco),  Vincent Chaillet (the 4 temperaments) 

Stéphane Bullion and Valentine Colasante (Concerto Barocco),  Vincent Chaillet (the 4 temperaments) 

Rehearsals of George Balanchine triple bill @Paris Opera Ballet

© Svetana Loboff


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si1kvoid:

Stroboscopic photographs of the New York City Ballet’s production of Jewells,1967. By Gjon Mili

dance-world: Tanaquil Le Clercq and Nicholas Magallanes, posing on a roof in Venice, wearing their c

dance-world:

Tanaquil Le Clercq and Nicholas Magallanes, posing on a roof in Venice, wearing their costumes for “Metamorphoses,” which was produced by the New York City Ballet at the Teatro La Fenice, in September 1953.Music by Paul Hindemith (Metamorphoses on Themes of Weber). Costumes by Barbara Karinska. Choreography by George Balanchine. First given at the  New York City Center on November 25, 1952. Photo: Serge Lido.


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