#gladys cooper

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4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha4.17 Passage on the Lady AnneDirector: Lamont JohnsonDirector of Photography: Robert Pittack“Love ha

4.17 Passage on the Lady Anne

Director: Lamont Johnson

Director of Photography: Robert Pittack

“Love has its own particular point of view. It sees everything larger than life. Nothing is too ornate, too fanciful, too dramatic. Love demands the theatrical, and then transfigures it. It turns the grotesque into the lovely, as a child does. With it, we can see what we wish to see in other people. Without it, we can’t see anything at all. We can search forever, and never find.”


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5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv5.19 Night CallDirector: Jacques TourneurDirector of Photography: Robert Pittack“Miss Elva Keene liv

5.19 Night Call

Director: Jacques Tourneur

Director of Photography: Robert Pittack

“Miss Elva Keene lives alone on the outskirts of London Flats, a tiny rural community in Maine. Up until now, the pattern of Miss Keene’s existence has been that of lying in her bed or sitting in her wheelchair, reading books, listening to a radio, eating, napping, taking medication and waiting for something different to happen. Miss Keene doesn’t know it yet, but her period of waiting has just ended. For something different is about to happen to her, has, in fact already begun to happen via two most unaccountable telephone calls in the middle of a stormy night.”

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Ivor with Gladys Cooper in the film “Bonnie Prince Charlie”, 1923

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