#retro tv
The Addams Family - Christmas with the Addams Family - 1965
The Banana Splits - 1968
Disneyland TV Show - 1954
The Outer Limits - The Sixth Finger - 1963
Metz TV Mallorca-Color, 1980
Street Hawk Aesthetic 1985 (https://instagram.com/p/CKaA3ExM4VW/)
Twiggy has gorgeous eyes
4.17 Passage on the Lady Anne
Director: Lamont Johnson
Director of Photography: Robert Pittack
“Love has its own particular point of view. It sees everything larger than life. Nothing is too ornate, too fanciful, too dramatic. Love demands the theatrical, and then transfigures it. It turns the grotesque into the lovely, as a child does. With it, we can see what we wish to see in other people. Without it, we can’t see anything at all. We can search forever, and never find.”
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4.15 The Incredible World of Horace Ford
Director: Abner Biberman
Director of Photography: George T. Clemens
“ Mr. Horace Ford, who has a preoccupation with another time, a time of childhood, a time of growing up, a time of street games, stickball and hide-‘n-go-seek. He has a reluctance to go check out a mirror and see the nature of his image: proof positive that the time he dwells in has already passed him by.”
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4.14 Of Late I Think of Cliffordville
Director: David Lowell Rich
Director of Photography: Robert Pittack
“Mr. William J. Feathersmith, tycoon, who tried the track one more time and found it muddier than he remembered - proving with at least a degree of conclusiveness that nice guys don’t always finish last, and some people should quit when they’re ahead.”
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4.11 The Parallel
Director: Alan Crosland Jr.
Director of Photography: Robert Pittack
“Major Robert Gaines, a latter-day voyager just returned from an adventure. Submitted to you without any recommendation as to belief or disbelief. You can accept or reject; you pays your money and you takes your choice. But credulous or incredulous, don’t bother to ask anyone for proof that it could happen. The obligation is a reverse challenge: prove that it couldn’t.”
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4.09 Printer’s Devil
Director: Ralph Senensky
Director of Photography: George T. Clemens
“Exit the infernal machine, and with it his satanic majesty, Lucifer, prince of darkness - otherwise known as Mr. Smith. He’s gone, but not for good; that wouldn’t be like him - he’s gone for bad.”
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4.07 Jess-Belle
Director: Buzz Kulik
Director of Photography: Robert Pittack
“Fair was Elly Glover,
Dark was Jess-Belle,
Both they loved the same man,
And both they loved him well.”
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5.14 You Drive
Director: John Brahm
Director of Photography: George T. Clemens
“Portrait of a nervous man: Oliver Pope by name, office manager by profession. A man beset by life’s problems: his job, his salary, the competition to get ahead. Obviously, Mr. Pope’s mind is not on his driving. Oliver Pope, businessman turned killer, on a rain-soaked street in the early evening of just another day during just another drive home from the office. The victim, a kid on a bicycle, lying injured, near death. But Mr. Pope hasn’t time for the victim, his only concern is for himself. Oliver Pope, hit-and-run driver, just arrived at a crossroad in his life, and he’s chosen the wrong turn.”
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