#gone girl

thandies:

When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? What will we do?

arianagrandre:

I feel like something he loaded by mistake. Something to be jettisoned if necessary. Something disposable. I feel like I could disappear.

Gone Girl (2014) dir. David Fincher

dailyflicks:

Soon to be presumed dead. Gone. 
GONE GIRL (2014) dir. David Fincher

henycavil:

GONE GIRL(2014)
dir. David Fincher

“When two people love each other and they can’t make that work, that’s the real tragedy.”

Gone Girl (2014)
dir.David Fincher

“Nick Dunne took my pride and my dignity and my hope and my money. He took and took from me until I no longer existed. That’s murder.”

Gone Girl (2014)
dir.David Fincher

“I’m so much happier now that I’m dead.”

Gone Girl (2014)
dir.David Fincher

msgretagarbo:

These opening and closing scenes are two of the most brilliantly written scenes in Gone Girl, at least to me. I really like the idea of these scenes. I think the main idea of starting and ending the film with these scenes is to show us how different Amy Dunne is, how extreme her change is, or I should say; how her husband and all the things happening throughout the whole movie can change her tremendously. We can see in the opening scene, just like how Gillian Flynn describes it, that Amy is giving a look of alarm. That probably means that Amy is under her husband’s control, that Amy might be frightened of her husband because her husband uses her for some inappropriate purposes which makes Amy sees her husband as some kind of threat.

Then look at the closing scene where Amy gives a very different facial expression and movement compared with what she gives in the opening scene. She gives her husband a haunting smile, which means that she has changed into a kind of psychotic woman who is now no longer under her husband’s control, in fact she is the one who’s controlling. She might be a threat for her husband now, and that happens because of her husband himself, because of what he did and has done to his wife, because he didn’t treat his wife well. In other words, he has created himself a villainous wife.

blomskvist:

“I can’t remember the last time I saw an American movie where an American woman washed off blood in a shower and the blood wasn’t hers." -Haley Mlotek (requested by anonymous)

kamalaskhans:

Start with the fairytale early days; those are true, and they’re crucial. You want Nick and Amy to be likable. After that, you invent. The spending, the abuse, the fear, the threat of violence. And Nick thought he was the writer… burn it, just the right amount. Make sure the cops will find it. Finally, honor tradition with a very special treasure hunt. And if I get everything right, the world will hate Nick for killing his beautiful, pregnant wife. And after all the outrage, when I’m ready, I’ll go out on the water with a handful of pills and a pocket full of stones. And when they find my body, they’ll know Nick Dunne dumped his beloved like garbage, and she floated past all the other abused, unwanted, inconvenient women. Then Nick will die, too. Nick and Amy will be gone, but then, we never really existed.

GONE GIRL
2014, dir. David Fincher

phoabetonkin-archive:

When I think of my wife, I always think of her head. I picture cracking her lovely skull, unspooling her brains, trying to get answers. The primal questions of any marriage. What are you thinking? How are you feeling? What have we done to each other? 

Gone Girl (2014) directed by David Fincher

msgretagarbo:

These opening and closing scenes are two of the most brilliantly written scenes in Gone Girl, at least to me. I really like the idea of these scenes. I think the main idea of starting and ending the film with these scenes is to show us how different Amy Dunne is, how extreme her change is, or I should say; how her husband and all the things happening throughout the whole movie can change her tremendously. We can see in the opening scene, just like how Gillian Flynn describes it, that Amy is giving a look of alarm. That probably means that Amy is under her husband’s control, that Amy might be frightened of her husband because her husband uses her for some inappropriate purposes which makes Amy sees her husband as some kind of threat.

Then look at the closing scene where Amy gives a very different facial expression and movement compared with what she gives in the opening scene. She gives her husband a haunting smile, which means that she has changed into a kind of psychotic woman who is now no longer under her husband’s control, in fact she is the one who’s controlling. She might be a threat for her husband now, and that happens because of her husband himself, because of what he did and has done to his wife, because he didn’t treat his wife well. In other words, he has created himself a villainous wife.

mccoysm:

_{I’m the cunt you married. The only time you liked yourself was when you were trying to be someone this cunt might like. I’m not a quitter, I’m that cunt. I killed for you, who else can say that? You think you’d be happy with a nice Midwestern girl? No way, baby! I’m it.}

salikawood:

_{You think I’d let him destroy me and end up happier than ever? No fucking way. He doesn’t get to win. My cute, charming, salt-of-the-earth Missouri guy. He needed to learn. Grown-ups work for things. Grown-ups pay. Grown-ups suffer consequences.}

filmgifs:

You. Fucking. Bitch.
GoneGirl (2014) dir. David Fincher

sharpay:

Gone Girl(2014)
Letterboxd reviews