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La tecnología que se suele ver en el cine que es posible encontrar en la vida diaria <img src="http://www.lavanguardia.com/r/GODO/LV/p4/Portada/2017/05/02/Recortada/img_cvillalonga_20170502-174004_imagenes_lv_terceros__ag_120102-kkKI-U422226555408xUG-992x558@LaVanguardia-Web.jpg" align="top" height="350" width="450"/> Desde la introducción de la primera película hace poco más de un siglo, la industria del cine y la televisión continúa impresionando en lo relativo a los avances de tecnología. ¿Podrías imaginar que hubo una ocasión en que la visión de un tren en movimiento en silencio en una pantalla fielmente podría impactar a la audiencia? No obstante esta cuestión únicamente muestra cómo <a href="https://cinemex.com/">las películas que están en la cartelera</a> han acertado varias tecnologías más llamativas en las artes visuales. A partir de pantallas verdes y <a href="http://uriosidades/4177/como-funciona-la-tecnologia-3d">visualización 3D</a> inclusive CGI y también iMax, la película de produccion digital y el steadicam, el medio del cine ha recorrido un prolongado paseo cara los gadgets tecnológicos actuales. Con la proliferación de descubrimientos inspirados ​​en sofware, herramientas tecnológicas y medios digitales en el campo del cine y los efectos especiales, las mejoras que nos esperan en el futuro no son menos apasionantes que las de los anteriores cien años. <strong>Fotografiar el futuro</strong> Originalmente, no cotidiano para filmar una cinta era 24 fotogramas x seg. Gracias a los avances importantes en las tecnologías de filmación, cintas como El Hobbit cuentan con increíbles 48 cuadros por segundo, lo que la convierte en la primera película de Hollywood que supera la celeridad típica. Las cámaras avanzadas Red One en los escenarios de películas de todo el mundo están cambiando el transcurso de filmación dejando de lado la cámara normal de 35 mm e inclinándose por una dilema más ligera y portátil sin exponer la excelencia de la imagen. <strong>Pantallas extra</strong> El ingreso de pantallas múltiples ha facilitado a los aficionados del cine interminables formas de disfrutar de sus filmes preferidas. Desde los productos de transmisión personalizados para la pantalla del móvil hasta las apps de del ipad, los fanáticos tienen la opción de tener una vivencia más profunda de su material mimado. Además, aplicaciones que transformaron la manera en que interactuamos como la app de Total Recall y la aplicación Smurfs dejaron a los asistentes enlazarse con otros entusiastas, conseguir permiso a contenido personal y entremezclarse con las promociones de mercadotecnia. <strong>Prácticas verdes</strong> Una de las tecnologías cinematográficas más emblemáticas debe ser en el campo de las prácticas amigables con el medio ambiente. Los estudios de Hollywood han comenzado a relevar los métodos de grabación con rendimiento de energía con remedios más verdes. Por poner un ejemplo, en la película <a href="https://www.imdb.com/title/tt1621045/">Think Like A Man</a>, el cast completo tuvo que ser modificado para reducir el consumo de energía a través de la implementación de filmes de menor emisión de energía y luces LED. Los estudios buscan variaciones de bajo consumición de energía en las producciones cinematográficas, que pueden ser en forma de instalaciones de energía solar, micro-turbinas de gas natural o disminuir al mínimo el uso de recursos como agua, combustible y electricidad.
mudwerks: Claudia CardinaleWest-German postcard by Ufa/Film-Foto, Berlin-Tempelhof, no. FK 5143. Pho

mudwerks:

Claudia Cardinale

West-German postcard by Ufa/Film-Foto, Berlin-Tempelhof, no. FK 5143. Photo: Herbert Fried / Ufa.

Quintessential 1960s hourglass-figure model and actress Claudia Cardinale (37C-23-37, W:H ratio 0.62, 5 ft 8 in, 130 lbs, born April 15, 1938 in Tunis, Italy). Unfortunately, she never posed nude.


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habit-forming:

Actress Diane Curtis (39-25-35, W:H ratio 0.71 5 ft 2 in) was born on May 20, 1947 in Los Angeles. She is known for Tropic of Scorpio (1968), The Acid Eaters (1967) and Adam-12 (1968).

oldhollywood-glamour:Myrna Loy Helena, Montana native Myrna Loy (36B-23-33, W:H ratio 0.70, 5 ft 6 i

oldhollywood-glamour:

Myrna Loy

Helena, Montana native Myrna Loy (36B-23-33, W:H ratio 0.70, 5 ft 6 in, 123 lbs, 1905-1993).


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xxhorace:

Lucy Liu

Lucy Liu (34B-23-33, W:H ratio 0.70, 5 ft 3 in, 99 lbs) was born on December 2, 1968 in Queens, New York.

all-that-hendricks: Christina Hendricks Christina Hendricks (42FFF-30-39, W:H ratio 0.77, 5 ft 7 in,

all-that-hendricks:

Christina Hendricks

Christina Hendricks (42FFF-30-39, W:H ratio 0.77, 5 ft 7 in, 161 lbs, 1975- ).


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fuckwhattheysayy:

Cool And Great

New York native Rosario Dawson (36D-24-34, 5 ft 7 in, 121 lbs, 1979- ), shaved.

pinupsandstarlets: The girls who kept grandpa young. Sophia Loren (38C-24-38, W:H ratio 0.63, 5 ft 8

pinupsandstarlets:

The girls who kept grandpa young.

Sophia Loren (38C-24-38, W:H ratio 0.63, 5 ft 8½ in, 143 lbs, 1934- ).


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The river steamboat from the Werner Herzog film FitzcarraldoMadre de Dios, PeruDr. Eugen Lehle

The river steamboat from the Werner Herzog film Fitzcarraldo
Madre de Dios, Peru
Dr. Eugen Lehle



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ne8ula:

#BIG ABBY ENERGY

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selinakyle:TURNING RED2022 | dir. Domee Shiselinakyle:TURNING RED2022 | dir. Domee Shiselinakyle:TURNING RED2022 | dir. Domee Shiselinakyle:TURNING RED2022 | dir. Domee Shi

selinakyle:

TURNING RED
2022 | dir. Domee Shi


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cinematv:TURNING RED (2022)cinematv:TURNING RED (2022)cinematv:TURNING RED (2022)cinematv:TURNING RED (2022)

cinematv:

TURNINGRED(2022)


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reys-bens:The Last Jedi Blooper Reel ft. a wild Oscar Isaac appearingreys-bens:The Last Jedi Blooper Reel ft. a wild Oscar Isaac appearing

reys-bens:

The Last Jedi Blooper Reel ft. a wild Oscar Isaac appearing


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hbcsource: I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to hbcsource: I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to hbcsource: I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to hbcsource: I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to hbcsource: I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to hbcsource: I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to

hbcsource:

I didn’t leave you because I didn’t love you. I left for you. Because I couldn’t bear to have this world be your future. So I had to fight. You have to make some noise, if you want to be heard.

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Well worth reading for linguists and movie historians alike:

At least Martin Freeman acted like he was TRYING to put on an American accent this time.

esoanem:

metsew:

esoanem:

blazeduptequilamonster:

mai-asrepressednerd:

secretsunkept:

onlyblackgirl:

naturally-nikkilynn:

thottopia:

africanaquarian:

briannatheloner:

We finally get to hear Wakandans speak Xhosa!

There’s so much rhythm in this language

marvel is lazy as fuck for choosing Xhosa as the language

Well John Kani who played T’Chaka is from South Africa and speaks Xhosa so when he took on the role he brought that with him and taught Chadwick how to speak it. So they more so follows his wishes. Don’t see why you have such an issue

Y’all be mad at everything.

Lazy?? If I spoke Xhosa, I’d be offended as hell if someone considered the cast “lazy” for learning it.

Yess for a clicking languange!!

One thing im not looking forward to is how great this movie is gonna be, but due to the hype how many people are just waiting to pick it apart and find issue in the TINIEST, most insignificant details… I’m over it already.

Ok, like, picking Xhosa really isn’t that trivial a detail. Xhosa is spoken in South Africa whilst Wakanda has consistently been placed in East Africa (somewhere between Uganda and Ethiopia) by the MCU.

That’s some 6000km.

Other places similarly far away are China and Ireland.

This is symptomatic of a much more general problem with black panther where it presents a vision of Wakanda a utopian nation with cultural touchstones taken from across one of the most diverse continents I’m the world; cultural touchstones that have no business existing next to each other and someone who recognises the importance of one will probably not recognise it in any of the others. This blending of the myriad of African cultures into one single “Africa” is part of the legacy of imperialism which has always treated such distinctions as trivial.

As@metsew has pointed out, across most of Africa (with some notable exceptions such as South Africa), most Africans identify far more strongly with finely grained ethnic labels than they do with race so, from that pov, speaking Xhosa as Wakandan ought not be any less shocking than them speaking Irish or Mandarin.

This film is a big and important step forwar for African-Americans, but it is a continuation of a long history of imperialism for Africa

It’s cultural imperialism. At least someone says it who isn’t myself.

The MCU films actually give us a good alternative model to compare to in Sokovia.

Now we’ve not seen it in as much detail as we see Wakanda in Black Panther, but what we do see contrasts quite well.

Sokovia is placed with a similar level of vagueness, being somewhere between the western border of Slovakia and the northwest of the black sea in Ukraine. They write in Cyrillic (some people online are saying the Serbian variant rather than the more plausible Ukrainian or Belarusian variants, which would be a little off, but I didn’t actually see any of the Serbian characters so I’m not sure how accurate that is) and speak a Slavic language. Their flag uses the panslavic colours (albeit rotated from their usual horizontal configuration) with a crowned eagle. The architecture, dress, and customs of the Sokovians appear to all be consistent with a post-soviet Eastern European country.

The biggest incongruity there is in using the Serbian alphabet (if they actually are) which depending on the exact placement of the country is at most 1000km away (remember, Wakanda is 6000km from any significant Xhosa population). That same distance could get you from Sokovia to Xi'an in China or to Mumbai in India.

A Sokovia portraying Eurasia similarly to how Wakanda portrays Africa could have people in salwar kameezes watching Turkish wrestling, be speaking Tundra Nenets whilst doing vodka shots over fish and chips all in a Venetian Palazzo. I mean, it’s all Eurasia right so who’s going to sweat the little differences between those cultures?

If you’re going “but that’s different, those cultures are completely different and the people with those cultures are of different races” I’ve got some news for you: Africa is at least as culturally diverse as Eurasia and race was socially constructed deliberately to lump all of Africa into one group that could all be dismissed as primitive.

Black panther is an important film and I am excited to see it, but these sorts of apologia for its (major) flaws serve no-one and continue the very harmful legacy of non-Africans ignoring the many, many differences between various African peoples.

As ever, all media is flawed. That doesn’t mean you have to entirely disregard it, just acknowledge those flaws and engage critically with the work rather than glossing over and/or ignoring them

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