#graphicdialogue

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arquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is howarquigraph:Graphic DialogueEdoardo Gellner and Carlo Scarpa:La chiesa di Corte de Cadore Here is how

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Graphic Dialogue


Edoardo Gellner and Carlo Scarpa:
La chiesa di Corte de Cadore

Here is how two architects in the 50′s collaborate in the design of a church. Edoardo Gellner and Carlo Scarpa designed ‘La chiesa di Corte de Cadore’.
The evolution of drawings from the general plan to the details are a good example to realize the importance of a collaborative design process, where a graphic dialogue evolves from a plot of ideas to the progressive definition of a structural system by studying its sections, details and views with accurate. 

These gorgeous drawings came from the idea, however through measure they got the detail for its construction.

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Carlo Scarpa, Studi per l’altare maggiore. 1956


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Edoardo Gellner, Lampada del Santissimo. Prospetto, vista dal basso e assonometria. 1958

Graphic Dialogue


Edoardo Gellner and Carlo Scarpa

Between 50s and 60s Gellner & Scarpa  made a fantastic collaborative design for La chiesa di Corte de Cadore. Check it out.


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