#hot sith content
This moment, when Maul hangs up on Palpatine, is in my opinion the most empowered Maul ever gets to be. In fact, I think it might even be going too far! I’m not sure Maul, as I think of him, would ever have the confidence to actually do this. But this moment ultimately doesn’t last very long, and Maul is certainly humbled by the end of this comic. :(
“Darth Maul – Son of Dathomir.” This comic was published by both Dark Horse and Marvel, and is therefore both canonical and non-canonical. Matt Martin says it isn’t, and Sam Witwer says it is. Dark Horse publishing date: October 1, 2014. Marvel publishing date: November 28, 2017. Writer: Jeremy Barlow. Penciller: Juan Frigeri. Inker: Mauro Vargas. Colorist: Wes Dzioba.
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Just two creepy little guys in the void.
Little Golden Book: Return of the Jedi. July 28, 2015. Writer: Geof Smith. Illustrator: Ron Cohee.
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This panel rules!
“Star Wars: The Original Trilogy: A Graphic Novel.” Disney-Lucasfilm Press. Originally published: March 1, 2016. Republished as mini-comic for Galaxy of Adventures Luke action figure: Fall, 2018. Writer: Alessandro Ferrari. Illustrator: Alessandro Pastrovicchio.
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A rare moment of respect from Darth Vader toward a very cool one-off character, the young ensign Nanda. Anakin dislikes most people he meets, so it’s always a big deal to get a compliment from him. (But at what cost?!)
“Star Wars 13: Five Days of Sith,” part 1. Dark Horse. January 8, 2014. Writer: Brian Wood. Penciller: Facundo Percio. Inker: Dan Parsons. Letterer: Michael Heisler. Colorist: Gabe Eltaeb.
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Shut up, Griff, I’m trying to become one with the universe!
Star Wars Newspaper Comic Strip: “Doom Mission.” March 1 and April 3, 1983. Writer: Archie Goodwin. Illustrator: Al Williamson.
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Vader shakes his fists at his daughter’s unstoppable girlbossery!
“Star Wars 48: The Third Law.” Original Marvel. March 24, 1981. Writer: Larry Hama. Penciller: Carmine Infantino. Inker: Carlos Garzón. Letterer: Rick Parker. Colorist: Glynis Oliver.
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Happy Clone Wars Friday!
One thing I like about this comic is it shows that Palpatine used the fact that Maul survived to make Obi-Wan look bad in front of Anakin. Of course, Palpatine was taken off guard himself, but no one has to know that. Three cheers for our brilliant future emperor, who can twist every variable to his favor!
“The Clone Wars: The Sith Hunters.” Dark Horse. August 15, 2012. Writers: Henry Gilroy and Steven Melching. Penciller: Vicenç Villagrasa. Inker: Vicante Ibañez.
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Everyone say something nice about my favorite character!
“A Jedi’s Weapon.” Dark Horse. May 4, 2002 (Star Wars Day andthe first ever Free Comic Book Day!). Writer: Henry Gilroy. Penciller: Manuel Garcia. Inker: Jimmy Palmiotti. Letterer: Steve Dutro. Colorist: Guy Major.
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If I had to list my favorite Star Wars costumes, third place would go to Luke’s dad-rescuing goth number and runner-up to Padme’s meadow dress, but first place would go to something way more obscure: Atton Rand’s jacket.
An image seared into my mind.
KotOR II’s Atton Rand is Star Wars’ baddest Han Solo knockoff, and he’s got the duds to prove it. He’s wearing the same exact pair of pants and sexy cowboy holster, but like any good knockoff he’s added his own little something-something: fingerless gloves, a side part, and of course, those three extra sleeve layers onto the vest. Something about this jacket is so fun and spacey, so silly but so flattering, so dangerous but so approachable – in a word, handsome. It’s such a shame that you can only find it in one video game…
Or can you? KotORs I and II (2003-4) are clearly inspired by the Star Wars movies that immediately preceded them, Phantom Menace (1999) and Attack of the Clones (2002), with their shared themes of a corrupt Republic, a hypocritical Jedi Order, a cursed Chosen One, capitalist violence, and forbidden love. But the KotORs also had a weirder, more plot-significant influence: those 90s comics I’m always going on about, Tales of the Jedi! In fact, the KotORs are set one generation after TotJ and reference many TotJ characters by name, especially Exar Kun and various Siths.
But back to the jacket – did Atton make such a beautiful thing himself, or did that no-good pirate steal it right off the corpse of noble comic book character Andur Sunrider?!
The long sleeves and pocket were lost in the confusion.
The resemblance could be a coincidence, but it’s fun to imagine the black market shenanigans that might have transpired between Andur’s murder and Atton’s acquisition. I also love the parallel of the two men: Andur the gallant Jedi teacher, honorable husband and tragic father, versus Atton the AWOL murderer and romantic wastrel who humbles himself as your student and (sometimes) learns his lesson. They even have similar names. Anyway, you know I love to argue that Star Wars comicsdid it first.
But after Atton followed the Jedi Exile to the ends of the galaxy, what happened to the jacket?
Well, 4000 years passed, and it ended up with someone new:
The sleeves grew back.
DJ from The Last Jedi is the next character, timeline-wise, who has that excessive sleeve thing going on, and he’s exactly the sort of mysterious, debonair trickster who deserves this ancient hand-me-down. I’m sure Andur would not approve, but personally I can think of no more fitting fate for such a legendary garment than with someone who doesn’t join either side.
I’ll add onto this post if I ever find more instances of this sexy design in Star Wars, and I’ll try to imagine how each new owner got it, and how their stories align with the rest of the Sisterhood of the Traveling Jacket.
But let’s give three cheers for Andur Sunrider, who wore it first, and four cheers for Janine Johnston, who designed it.
Addendum:
Snoke’s ribbed robe is a bit too off-model to convince even me that it could be the same jacket, but it’s fun to imagine that DJ could have stolen it right out of the Supreme Leader’s closet. Perhaps the jacket has limited shape-shifting abilities?
Credits:
Promotional art of Atton Rand from 2004. I can’t find the artist’s name, but Wikipedia says I need to credit “Obsidian Entertainment, LucasArts and Disney,” which is better (and worse) than nothing. The lead artist of KotOR II was Aaron Meyers, and the entire art team was Aaron Brown, Brian Menze, Dennis Presnell, Doug Cope, Ed Lacabanne, Glenn Price, Lucas Feld, Mustazar Essa, Timothy Cox, Trent Campbell, TJ Frame, Robert Giampa, Will Harper, and David Espinoza.
The picture of Andur is from “Tales of the Jedi, issue 3: The Saga of Nomi Sunrider, part 1.” Dark Horse. December 1, 1993. Writer: Tom Veitch. Penciller: Janine Johnston. Inker: Mike Barreiro. Letterer: Willie Schubert. Colorist: Pamela Rambo.
Concept art of DJ by Jock (Mark Simpson), from The Art of Star Wars: The Last Jedi, written by Phil Szostak, published 2017.
The picture of Snoke is from “The Rise of Kylo Ren” trade paperback. Marvel. August 11, 2020. Writer: Charles Soule. Penciller and Inker: Will Sliney. Letterer: Travis Lanham. Colorist: Guru-eFX.
