#howard greenberg gallery

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Invisible City.

The official trailer for a new edition of Invisible City; a faithful reprint of the 1988 classic photographic book by Ken Schles, (published by Steidl).

This work is currently being exhibited at the Howard Greenberg Gallery, 41 East 57th Street, New York.

Find out more here http://www.bit.ly/1Lzset5
Kathy Ryan, 10:12 a.m., April 18, 2015, courtesy Howard Greenberg Gallery, New YorkKATHY RYAN: OFFIC

Kathy Ryan, 10:12 a.m., April 18, 2015, courtesy Howard Greenberg Gallery, New York

KATHY RYAN: OFFICE ROMANCE

Exhibition through June 18, 2016 at Howard Greenberg Gallery, Paris Fair Exhibitor

41 East 57th Street, Suite 1406, 10022 New York
[email protected]
T +1 212 33 40 010
www.howardgreenberg.com

Howard Greenberg Gallery is pleased to present an exhibition of photographs shot from inside the New York Times building by Kathy Ryan. “Office Romance” is the artist’s debut show. Ryan is the longtime director of photography at The New York Times Magazine.

Read more at www.parisphoto.com/agenda/kathy-ryan


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Ballston Beach, Truro, Massachusetts, 1977 © Joel Meyerowitz, Courtesy Howard Greenberg GalleryJOEL

Ballston Beach, Truro, Massachusetts, 1977
© Joel Meyerowitz, Courtesy Howard Greenberg Gallery

JOEL MEYEROWITZ, SURVEY

Exhibition from May 7 to June 18, 2016 at Stephen Bulger, Paris Fair Exhibitor

1026 Queen Street West, M6J 1H6 toronto
[email protected]
T +1 416 504 0575
www.bulgergallery.com
Fax +1 416 504 8929

Stephen Bulger Gallery is pleased to present “Survey”, the gallery’s first solo exhibition of work by American photographer Joel Meyerowitz.

Meyerowitz, born in 1938 in New York City, began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank, he transformed the genre with his pioneering use of colour. As an early advocate of colour photography in the mid 1960’s, Meyerowitz was instrumental in changing the attitude toward the use of colour photography from one of resistance to nearly universal acceptance.

This exhibition displays a selection of key black and white images from early works that captured the attention of influential curators. Also included are early colour works from Europe in the late 1960’s and early 1970’s, which illustrate his mastery of composing with colour as well as form.


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