Late summer photo shoot of my Neolithic Venus. I took the piece to the “Côa” river valley, a place that seemed to be of utmost importance scince at least 20 000 years. Thousands of rock engravings have been found on this site, no one knows what the meaning of such a high concentration of engravings is but… it feels right to bring my sculpture over here. It’s also delicious to finalize a piece with a glorious landscape photo shoot.
This weekend I took my latest ceramics experimentation to the wild (my home city). It’s beautiful and super close to incredible locations. The first nature shot was in one of the holiest places of pagan Iberia: “Cabeço das Fráguas”. This site contains an incredibly rare inscription describing a ritual to the old gods in an ancient indo-european language. The rest of the shots where taken in the vicinity of continental Portugal’s highest mountain, Serra da Estrela.
A sneak peek at the development of this Neolithic Goddess interpretation. After this it’s the Tetris stage… also known as hollowing out… I’ll have to cut the piece into a puzzle, let it dry out, and then, to the kiln. Exciting moments!
A sketch for a river god piece. I went to the douro valley for a proper display of the sculpture, a homage to Reve, one of the old gods, with the Douro river in the background.