The rarest of all Broders posters, it’s also the only image Broders created for the Chemin de Fer du Nord – though the railroad is nowhere to be seen. Instead, he gives us the view from an elegant couple’s yacht, pulling out of the harbor. The contrast between the modern (both people and ships) and the medieval (the spire of the Old Town Hall, the little skiff at right) makes Dunkirk all the more interesting and mysterious.
Here is the finnished drawing of the previous post. It took ages to take a decent photo as the drawing was stubbornly glaring at the camera… hard lessons in photographing drawings… always fun.
The title for this piece is still undefined but its part of my upcoming sculpture show. It’ll be about the Neolithic period, it’s matriarchal societies and the subsequential transition to more violent eras. Keep in tune for more stories made of stone. In this piece I experimented with white chalk and grafite mixed together, it can get mushy but some of the results are delicious.
Recently Anthony Baus came to my studio @portoatelier for a figure and perspective workshop. This is my take on that week. The model was the most muscular human I ever drew… … I imagine guys like this back in the iron age resisting the occupation of the Roman empire… It’s been a loooong time since those events in the Peninsula but I really hope they gave those invaders a hard time…
On the first drawing of this series I used the skull of a male mammal as a symbol of ovaries, on this piece I used a sheep’s skull to represent… “masculinity”… really curious coincidences of patterns in nature… Graphite, white chalk and black wax pencil on hand toned paper.
A sneak peek at the development of this Neolithic Goddess interpretation. After this it’s the Tetris stage… also known as hollowing out… I’ll have to cut the piece into a puzzle, let it dry out, and then, to the kiln. Exciting moments!
A sketch for a river god piece. I went to the douro valley for a proper display of the sculpture, a homage to Reve, one of the old gods, with the Douro river in the background.
Based in arqueological Neolithic artifacts from the Iberian peninsula. The female goddess assumed many shapes, most frequently she was represented with the eyes of an owl. He is my interpretation on these findings.