author’s note: hii! here’s the headcanon for jack @marvel-jackt-loki-buck! hope you enjoy :) also psa this is more modern because 40s slang for sex are very weird.
sooo since my side blog won’t work, I’ll be posting the headcanons here for now but i’ll link them on my side
warnings:fluff,smut!!, fem receiving, a little public sex, rough sex, [18+ only!!]
Ok I’m going to be honest i feel like Jack will either be:
as sweet as pie. he’d shower you with so much love and adoration for you
He’d kiss every goddamn inch on your body, praising you constantly at how beautiful you are
This man will eat you out for hours and hours, building up to your release with his mouth exploring every crevasse of your wet folds, his nose creating the perfect friction on your very sensitive clit
“You taste so delicious, sweetheart. Jus’ like candy.”
He loves watching you writhe underneath him, your eyes snapped shut while pulling on his blonde hair
His favorite part was watching you come down from your high, squirming and panting—even screaming his name so loud that the neighbors probably heard
“You did so well, sweetheart. I love watching you react to my touch like that.”
But we also all know that Jack is a little rough around the edges
So that other side of him? He’s rough as fuck with you, not giving you a second thought and you just live for it.
I think this would be later in your relationship when he’s opened up more to you
But when he does? Oh you better be prepared because he doesn’t care where you are, he’ll fuck the daylights out of you
You would be giving him reports in the SSR office, everyone was gone except for maybe a couple of agents
You’d be leaning over his desk, showing him information on the report when you feel a hand squeeze the apple of your ass, a low moan escaping your throat
“You’ve been distracting all goddamn day, sweetheart. Your tight ass in that dress just begging for some attention.”
You’d whimper as his hands would crawl up your skirt, sliding your panties out of the way, and pressing a finger inside your wet folds
“Jack… there’s still people here”
but would he care? nope. he’s the chief, he can do whatever he wants. if someone complains, they can take it up with him
but everyone was quite terrified of the man so nobody complained
you’d practically mewl as he’d push. you onto the desk, face against the coolness of the wood while your ass hung up in the air
He’d peel back your dress a bit, a moan escaping him “You look so pretty, sweetheart. You think you can handle my cock, hun?”
you could barely speak as he just pounded straight into you, no warning whatsoever. he’d be incredibly fast as well, his pace already tipping you over the edge
a string of curses would flow right out of his mouth while he’d have a bruising grip on your hips, steading the two of you as best as he can
Your wet cunt would be dripping down your thighs, your screams would be very loud and would echo around his office
“Oh, sweetheart, are you going to come? Going to come on this cock?” he’d just fucking smirk at you because the only thing you could do was open your mouth—you weren’t even able to make a coherent sentence
finally though, he’d explode inside you, filling you up to the brink. and you’d beg and plead for him to make you come as well but he’d just smirk and try to fix your dress
“If you can keep my seed in that tight pussy of yours, i’ll let you orgasm as many times as you want, sweetheart.”
Breaker Morant (1981). Three Australian lieutenants are court martialed for executing prisoners as a way of deflecting attention from war crimes committed by their superior officers.
Oh, I really loved this one. From the lush and thoughtful cinematography, to his question of whether or not it’s possible to have morals in war, to the shifting dynamics of the British, the Australians and the Boers. It’s layered and compelling and a good story well told. Both one of the best war films and one of the best courtroom dramas I’ve seen in a long time. 8/10.
Rewatching Agent Carter season one episodes yet again (as one does) I ended up going through the final firefight in 1x05 in detail, taking screenshots and lightening them to figure out exactly how the final fight was blocked out – and specifically, what it was in the fight, exactly, that made Jack freeze up, because it wasn’t just the fight itself (he was fine in parts of it, just not in all of it). And the results of that were really interesting. Unfortunately most of it is too dark and happens too fast to really see what happened without going through the caps.
First of all, it’s not combat that does it – not precisely. He’s actually okay in a firefight; in fact, he’s possibly got the most dangerous position in the group, covering their rear as they escape. Right before they hit the dead end where they eventually escape through the wall, you can see him hanging back, letting other people go ahead of him, and then only diving for cover once everyone else is behind the big metal furnace things that they’re sheltering behind. He’s the last to take shelter.
So at this point, they’re sheltering behind these furnace things. Peggy and most of the others are behind the one on the left; Jack and Li are behind the one on the left. And he’s still doing fine.
Li is right behind him; Jack and Li are alternating fire from behind the furnace.
Then the little Black Widow drops out of a vent behind Li, while everyone else is focused on the enemies in front of them.
She shoots Li from behind; he falls down between Jack and Peggy.
There’s a moment when everyone is frozen and can’t figure out what just happened. In that frozen instant, the Black Widow almost gets Jack too, but Peggy yells, “Above you!” and he ducks.
And this is when things really fall apart, with the girl still shooting people and the Russian prisoner taking advantage of the confusion to take Sam hostage. At this point, the biggest threats to their group are two noncombatants: a little girl, and one of the people they were rescuing.
Andthat’s the point when he freezes; things are happening fast at this point, so we don’t see him again for a minute or two, but the next time in the fight that we see him at all, he’s completely out of it.
And that’s what did it, I think: it wasn’t being shot at, it was being thrown into another situation where the right answer wasn’t obvious, and he had to make another split-second decision about who to kill, with lives hanging in the balance. The last time, he made the wrong choice; this time, he flashes back to having killed innocent people in a similar situation before, and seizes up.
(Though probably the fact that they just got raked with fire in a supposedly safe spot had something to do with it too. He’d thought they were relatively well defended, then watched one guy he was responsible for get shot in front of him and almost got killed himself – that would rattle anybody, even without preexisting trauma. I don’t remember where this discussion was happening, but at some point recently in the AC tags, someone was talking about the war in the Pacific being especially traumatic because of the dense Pacific jungle and the fact that threats could come very suddenly from any direction, which kept everyone in a constant state of hypervigilance – and that’s exactly what just happened here.)
It puts a whole new light on Season 2, doesn’t it? His inability to trust his instincts to tell right from wrong continues.
Vernon is a family friend and appears to be looking out for him. Jack doesn’t want to give him the Zero Matter film reel but he can’t trust his own instincts, so he chooses to trust in Vernon instead.
He sees the paper later at the Arena Club and he knows Peggy was right; something is rotten in Denmark but he still can’t trust his (and her) instincts, not against Vernon and his own ambition further muddying the waters. He finds out Vernon is working Whitney Frost and still hands over Dottie Underwood; he still follows Vernon’s directions to discredit Peggy.
He doesn’t want to do it, he begs her to go back to NY. “It’s okay to be wrong from time to time,” he tells her, desperately wanting to believe that it’s true (it’s okay to be wrong, Jack) and that Peggy is indeed wrong. If she’s not, that means Vernon is wrong, and his whole world gets turned upside down.
It was probably a relief when Vernon hit him with the memory inhibitor. He doesn’t have to remember the moment when his faith in the man crumbled to dust.
(And it’s no wonder his subsequent plan was to blow everyone up; it’s an overcorrection.)
