#kiseki no sedai

parientou:

he… he’s not long enough;;

Cheerful, extroverted, happy-go-lucky and sunshine with a face, Kise Ryota is the screen ikemen in Kuroko no Basket. Although Kise is a cult favourite, but I think he is sometimes pushed aside with Momoi. In KnB people tend to focus more on the other GoMs rather than Kise. Here is my take on how Kise Ryota’s character and his types are scorned in Shonen Manga.

Shonen and Shojo manga revolve around two different dimensions: while shonen manga focuses on friendships, journeys and solid characteristic developments, shojo manga focuses generally on the romance parts, interpersonal relationships, appearance and struggles of the ordinary main character. Both manga lauds ordinariness and makes the ordinary extra-ordinary one just by showing that they have the possibility to be sublime. While Shojo manga greatly appreciates male beauty to the point of worship, Shonen sort of looks down on male beauty: anyone who identifies himself as good looking, or wants to be good looking is put down by others around him. Let’s see how Kise fell into the same trap.

Kise is introduced in the story in a very Shojo manga fashion. He is looked from the female point of view of Seirin’s girl students as he walks down the main pathway of the school. That piece of scene almost reminded me Takumi Usui entering school in Kaichou wa Maid Sama. From that point, wherever he goes he is greeted and surrounded by female population en large, much to the annoyance of his team members and opponents. Similar to the effect of “male gaze”, exists a “female gaze” which supposedly decides the desirability of a boy, especially in a high school setting. Kise, being handsome by the contemporary Japanese standards thus somewhat becomes the focus of the female gaze which makes males around him conscious and equally anxious. This phenomenon can be asserted with Momoi’s first encounter in the anime with Kuroko in Aida Gym pool. When Kuroko is hugged by a very beautiful and buxom Momoi Satsuki, the boys on his team lament: “I am so jealous of you Kuroko, hope you’ll die.” This was from a rather “harmless” and “normal” bunch of High School Basketballers, then just imagine how it effects the powerhouse boys with similar primal instinct and with greater ego. Thus Kise is treated with hot-and-cold attitude from males around him: be its his former teammates or current.

Kise is thus definitely an eligible bachelor and he surely knows it. However his self-awareness is without vanity or narcissistic edge. He is shown to be appreciative of female attention and not portray himself as a “playboy” or a “Scorer”; he is never addressed by anyone as “charan poran” (womanizer) in the series. This is a very contradictory attitude in Shonen anime. In shonen anime Male sexuality have very limited outlets: either one should be hyper-celibate and not pay attention to any organism marked as female, or one could be hyper-sexual to the point where they objectify the female form in a not so respectable manner–there is nothing in the Middle. In KnB Akashi, Kuroko and Midorima fall in the former end of spectrum while Haizaki Shogo and Aomine Daiki fall into the latter. Even dating and having girlfriend can make you the object of male scorn: in the anime Grand Blue, the department of Mechanical Engineer has a secret pact to stay single and when they find out that Iori Kitahara is living with Chisa (who is his cousin), they almost throw a violent fit. The male solidarity in Shonen thus ostricise the males who express appreciation in female company and show interest in courting and romance. Kise is snubbed in a similar manner for showing interest in a more feminine side. A same kind of snubbing was delivered to Hiroshi Fukuda of Seirin when he confessed on the rooftop that he wanted to get into the team for dating someone. In FreeMomotarou Mikoshiba too, is either ridiculed or snubbed by his teammates for openly admitting to like Gou Matsuoka.

Out of all the Generation of Miracles characters, I think Kise is the most discriminated of all. His discrimination is the unsual kind: he is too important in the plotline to be comic relief like Takao and Izuki and he is too cheerful enough to be the bad boy. So what kind of discrimination does he face? He faces the discrimination for being good looking. Yes, there is a thing to be discriminated for being good looking. I also think Kise has been played within the character of being the “dumb blond”. He is portrayed as “pretty boy” and is expected to limit himself within it. His cheerful attitude is often met with cold shoulder and it is absolutely normalised within the storyline. Unlike other players who greet their rivals outside the courts with a broody attitude and slightly glaring eyes, Kise is the one who advocates “Yesterday’s rivals are today’s friends”. This is a very positive attitude to use in real life to keep the unhealthy competitiveness in check, but it is met with a scorn in the anime. It is shown as if being cheerful is the by-product of being good looking and the former should reflect the latter. This is perhaps the reason Kise’s playing style was completely sniped out of the scene from being “the best of all”. According to the society, a good looking person is just an eye-candy for anyone to drool over and if they have too much agency or talent people enviously comment “(s)he gets all that because of the looks”. It stems from the insecurity of one person having too much social power. The entire thing is very limiting. Kise is not only good-looking, he is acing his modelling career, a field which is highly demanding and taxing and at the same time he is doing well in basketball also in a nationally reputed school. These attributes somewhat gets overshadowed because he is somewhat only identified on screen for his looks. This fact is highlighted with his rivalry with Haizaki Shogo. Haizaki, instead of acknowledging Kise as a player, “marked his territory” by “boning” one of the girls claiming to be Kise’s girlfriend. 

Kise is very much aware of the fact that the swarming bunch of girls are intrinsic to his image, especially as a model and for this reason he tries to be respectful towards them. However, he does not identify the admiration of the fan-brigade with genuine affection. This is the core fact which Haizaki misinterprets about Kise that he derives power from the admiring fangirls. Haizaki despite being the antagonist is pretty much shares the similar prejudice with the people near Kise: that Kise Ryota begins and ends with looks and even his playing style “perfect copy” is less than original. But Kise is not the prejudices that surround him, he is affectionate, loyal and genuine with enough dedication to pursue what he loves. The ideal type of Kise : “a girl that won’t tie me down” says a lot about him. He is eager to meet someone who will respect him for who he actually is and not for his looks or fame. He too is someone who grew out of seeing the surface and judge to observe someone and understand—that is how he started to respect Kuroko at the first place. At the end, when he loses to Touou, he sheds the image of a “cool handsome boy” and cries like a baby in public; something his own captain Kasamatsu or his former teammate Midorima could not do. This shows a lot of courage and strength but also shows that expressing ugly emotions in a public can also be dignified and not necessarily be stripping to masculinity.

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