#live performance
My edits of
Michael Jackson
performing on his
“BAD”tour
Some of my edits of
Michael Jackson
performing live during his
Dangerous / HIStory
tours
Upheaval at Waupun, 1975 [People’s Video] (VCA 960)
Waupun, WI Correctional Institution’s Upheaval live in 1975.
Bobby Bare performs, Aug. 21, 1966. Backup singers are Joe Babcock, left, Sandy Posey, Ricky Page and Hurshel Wiginton.
Nicky Thomas: Is it because I’m black? (Live 1973 Edinburgh Scotland)
never fails to give me chills…
Al Green - People Get Ready
Al Green with Linda Jones and Wanda Neal.
Arcade Fire Everything Now Release Show @ Grand Prospect Hall. Brooklyn, NY. July 28, 2017.
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Arcade Fire Everything Now Release Show @G rand Prospect Hall. Brooklyn, NY. July 28, 2017.
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Arcade Fire Everything Now Release Show @ Grand Prospect Hall; Brooklyn, NY. July 28, 2017.
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Back in 1973, Sesame Street had Stevie Wonder on for a live performance of ‘Superstition’. The sound quality on the mix is pretty decent, every instrument is relatively discernable and clear. There’s this moment at the 5:41 mark where the bassist picks up the song and gets the band running again for a spontaneous jam with Stevie singing “Sesame Street!” It’s pretty wonderful.
Stevie Wonder pops up throughout that episode of Sesame Street too. He sits with Grover, does a voicebox number, and (again with Grover) demonstrates the difference between loud and soft.
For some additional Stevie content, here’s a few articles:
1. Stevie Wonder and his Dream Machines (which is about his pioneering use of synthesizers and the wider effects on the music industry, “from the development of guitar pedals to sampling”, Wonder’s use of synthesizers really cascaded out into every corner of the industry. Crazy.)
2. TONTO: The 50-Year Saga of the Synth Heard on Stevie Wonder Classics (from Rolling Stone magazine, the title pretty much tells you what you’re getting). Here’s a snippet:
“The core keyboard sound of “Superstition” was Wonder’s electric keyboard being fed through TONTO. The famous bass line was all TONTO. The song demonstrated for the first time the potential of the synthesizer being something mainstream, a keyboard-controlled instrument that could add an entirely new sonic palette to popular music. Wonder was playing most (sometimes all) of the instruments in the studio himself anyway, and TONTO now allowed him to also control the final arrangement.”
