This is my first new painting in over a year, and the first since thing I’ve painted in Los Angeles. It’s the first panel in a triptych, and features an innovative application method involving liquid plastic cured at 1350 degrees by a heat gun.
“Culture shapes and shifts as it moves. It influences perception. That is something that [painter David] Hockney has always involved himself with: perception, the ways of rendering something three-dimensional in two dimensions. With me, I’m very curious how [my] work can re-shape and re-form what people had previously seen as the California life.”
– Ramiro Gomez, a California native who went from nanny to artist
For Gomez, images of California by Hockney and other painters — as a place of chilled-out leisure — was something he wanted to upend. In his work, he wanted to show the manual labor that makes those luxurious environments possible, labor that he had once expended himself.