During Couture week,1999. Diddy, Jean Paul Gaultier, Karl Lagerfeld, Oscar De La Renta, supermodel Alek Wek (in Dior couture), and John Galliano. Photography by Annie Leibovitz.
“Dior John Galliano 1997-2011" is the fifth volume in the series that Dior is releasing chronicling each creative director of the brand.
AN ENGLISHMAN IN PARIS: A new coffee table book focuses on John Galliano’s creations for Dior, from the midnight blue satin slip dress that Princess Diana wore to the 1996 Met Gala to a canary yellow tulle dress from his last haute couture collection for the French fashion house in 2011, inspired by illustrator René Gruau.
The 448-page tome, published by Assouline, is the fifth volume in the series that Dior is releasing chronicling each creative director of the brand. Written by Andrew Bolton, the Wendy Yu curator in charge of The Costume Institute at the Metropolitan Museum of Art, it features photographs by Laziz Hamani alongside images by the likes of Richard Avedon, Peter Lindbergh and Paolo Roversi.
Ivy Getty said her vows at City Hall in San Francisco wearing a four-layer dress designed by John Galliano. Vogue attended her final fitting at Claridge’s in London (Photos by Emilie White).
Ivy Getty said her vows at City Hall in San Francisco wearing a four-layer dress designed by John Galliano. Vogue attended her final fitting at Claridge’s in London (Photos by Emilie White).
BoF’s editor-at-large, Tim Blanks, sat down with John Galliano in Maison Margiela’s Paris headquarters to watch the latest film he has made with director Olivier Dahan for MM’s Spring 2022 Co-Ed collection.
Film has become Galliano’s fascination over the past twenty months. The designer who was responsible for some of the grandest live spectacles fashion has ever seen in the glory days of the Nineties and Noughties was seduced by the idea that, with all the restrictions of the pandemic, he could still make memorable, even startling visual co-relatives for his clothes. “There was no way I was not going to create, even if it was with a small team,” Galliano says. “This idea that through film we could reinforce the ethics of house took on a great appeal for me.”