love how noragami is praised like “wow! the manga examines trauma & abuse and how it fundamentally shapes and affects people throughout their entire lives in such a profound way!”
a chunk of the fandom proceeds to entirely miss the point.
These pages are really doing things to my brain. Not only does Hiiro/Mizuchi look significantly older in both, but the page composition is nearly identical. Even Hiki on the first page with Yato and Rekki’s vessel form behind Kazuma on the second. The bubble of Yato and Hiiro letting go of one another where the “Look, Father” speech bubble is…. Is painfully symbolic as well.
It’s fascinating to think about just how long she and Kazuma’s character arcs have been bound to one another…. long before the snake curse. It makes me think of how the first kanji in Kazuma’s name, 兆, means omen and in the chapter 13,兆し, (this is the Japanese title for the chapter and it happens to use the same first kanji as is used in Kazuma’s name), Nora is the character who takes front and center on the chapter title page.
But, I also must comment on how the blood running from Mizuchi’s wound is identical to fathers wound from Yato.
Bishamon or Bishamonten from “Seven Gods of Fortune” in Shintoism is the typical “strong woman” trope character in a Shonen anime called Noragami: she is angry, she is beautiful and conveniently buxom for fans to drool over her. Termed by Yato as “ugly broad” Bishamon is fierce and coarse. However, she is not only that: she has a caring and nurturing side which almost caused her demise once and put her in danger over and over again. So this is my take on Bishamon and why she is the Eastern archetype of “Warrior Mother Goddess” instead of her Shinto persona.
First of all, let’s look what Bishamon actually is in the Classic Shinto religion. In Japan, Bishamonten (毘沙門天), or just Bishamon (毘沙門) is thought of as an armor-clad god of war or warriors and a punisher of evildoers. Bishamon is portrayed holding a spear in one hand and a small pagoda in the other hand, the latter symbolizing the divine treasure house, whose contents he both guards and gives away. His (because Bishamon is a male in Shintoism) legend derives from the Hindu Demigod “Vaisravana” or “Son of Vishrava”, who is known as Kubera the God of wealth. Both Vaisravana and Bishamon are associated with material fortunes and Bishamon is really a fierce version of Vaisravana, a well-fed, content and rather gluttonous demigod.
But how a god like Bishamon gets transferred in Noragami to a woman? It could be a design choice by Adachitoka to create a contrasting female character who could meet Yato in a more Godly plane. But I can see some clear Hindu influence in Bishamon’s design. She is inhumanly beautiful, fierce, perfect body and with rapunzel length hair. Her design is very similar to the Warrior Goddess Durga. In the “Meditation of Durga” she is described as
“the one with great length-ed dreadlocks in her head…whose face is beautiful like the full moon, whose complexion is as fair as flax seed flower…whose beautiful teeth sit on her full lips, whose full breasts hold the elixir of immortality*– (Meditation of Durga, verse 1-3)
The physical description of Durga has uncanny similarity with Bishamon. the Goddess is also called “nabayouvana sampannang, sarbabharana bhushitang” (who is young and clad with fantastic jewels). Bishamon may be young and beautiful but she does not wear any eastern jewels: she is rather clad with her regalias posed as weapons, navigation and clothes; thus it isn’t far off.
It is not only the superficial physical appearance that are similar with Durga and Bishamon; they also share some character similarities. The traditional Bishamonten is not known to have a mount or Divine Familiar, Bishamon in the anime on the other hand does a divine familiar in the form of mount: Kuraha, who takes the shape of Lion and can travel in the air. This is an iconic similarity with Durga, whose divine mount is a lion. In “hymns of Gandhesvari” Durga (or her Gandhesvari form) is described as “Simhasta” (the one who rides a lion). Durga is also known as “Simha vahini” (she whose vehicle is a lion). The Bishamonten is known to carry only one weapon, a spear, but Bishamon in Noragami has or carries multiple weapons because she has multiple regalia. In the “Meditation of Durga” the goddess is known to carry a goad, bow and arrow, executioner’s sword, discus, conch, mace, shield, rosary and the trident. Bishamon too carries multiple weapons: whip, guns, knife long machete etc, just like Goddess Durga herself. One part of Durga’s weapon is “Aveda barma” or the “impenetrable armour” forged by the ironsmith of the Gods, Vishwakarma (the forger of the universe). Bishamon wears a full blown armour by her regalia Aiha when the Ebisu-crisis occured and she had to journey to underworld.
Now, in the parallel of two warrior goddesses who seem to be far from society’s idea of ideal femininity, where does the nurturing part fit? According to the Hindu mythology Durga is only a fragment of the ideal femininity: the rightful rage of “Adi Shakti” (Ancient Energy), the Female mother goddess. (Excuse my jargon) in the “Durga Saptashati” of Rigveda, the Goddess is described as “mother of all creation” (verse no 3) and at the same time she is described as “creator, sustainer and destroyer of the world” (verse no 4) of which she is the Mother. Bishamon has an extensive collection of regalia: she does not discriminate who is weak or who is useful, she takes everyone in as her own according to Noragami Wiki:
“She willingly accepts any wandering and troubled spirit, useful or not, and adds them to her family. “
She and her Shinkis live in Takamagahara which is the universe on its own, so she is the guardian and mother of her Shinkis in a way. Takamagahara is situated in a place which has golden hued galaxy as the backdrop of the sky. The form of Durga which alludes to the primeval Female Goddess is called “Bhuvaneswari” (she, whose body is the universe). The shinkis or regalias derive strength from her divine existence and they exist in a palpable form because of her. It again alludes to “Devi Suktam” (the introduction of the Goddess) where is has been mentioned:
“ I am the Queen of the Universe; I give wealth to those who worship me. I am the all-knowing one and the prime one among the worshippable deities. I enter many bodies as the Soul, taking various forms and with different manifestations, in various ways. … That one who eats food, who sees, breathes, and hears whatever is said, he does all that only through me (my powers). Those who do not understand me, die. “ –(Devi Suktam, verse 4 & 5)
The sense of being center of the universe has brought a tremendous sense of loss and grief to the goddesses in many occassion. In the myths, when Goddess Parvati (the calm version of Durga) loses her child Ganesha, she assumes her rageful spirit again to destroy the universe that has taken her child from her. Bishamon has faced tremendous sense of loss and grief when she lost her “Ma” clan due to the malefic thoughts of the Shinkis–an action which blighted her tremendously. She too assumes a vengeful spree towards Yato, who allegedly slaughtered her “Ma” clan.
In short Bishamon is a great representation of motherly strength in anime field: the term “mother” often evokes a sense of tenderness, security and comfort, but it has been proven in the ancient myth that bringing life into the world and the sense of protectiveness towards life is the most powerful energy of all: it can make an break everything in existence and when the motherly tenderness is challenged it can manifest in one of the most destructive forces in the world. Thus the “ugly broad” “stern powerhouse” persona is only skin deep. The essence of Bishamon is far greater and more empowering.
* In ancient India, full breasts of a woman, which are swollen with milk was granted as a symbol of motherly power, nourishment and comfort. A woman with moderate breast size or small breast size were considered equally beautiful. In fact talking about sexuality in religious and secular discourses by scholars and sages were acceptable. It has no sexual connotation whatsoever. Please don’t perverse it in any sense.
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wow that’s a lot, now tags (although I have no evidence that they like Noragami)
