#norman norell

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ephemeral-elegance:Gingham Silk Cocktail Dress, ca. 1955 Norman Norell via The Met ephemeral-elegance:Gingham Silk Cocktail Dress, ca. 1955 Norman Norell via The Met

ephemeral-elegance:

Gingham Silk Cocktail Dress, ca. 1955

Norman Norell

viaThe Met


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fashionsfromhistory:DressNorman Norell1945The MET via Cora Ginsburg (Accession Number: 2020.207a, b)

fashionsfromhistory:

Dress

Norman Norell

1945

The MET via Cora Ginsburg (Accession Number: 2020.207a, b)

Currently on view: In America: An Anthology of Fashion


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Tom Ford and models, Spring Summer Collection 2011, Photo by Steven Meisel, Vogue, December, 2010. T

Tom Ford and models, Spring Summer Collection 2011, Photo by Steven Meisel, Vogue, December, 2010.

To celebrate Tom Ford’s return to womenswear design after his six year absence, Vogue offered its readers a preview of the designer’s Spring 2011 collection photographed by Steven Meisel. Meisel’s image features Mr. Ford positioned amongst his designs in a fashion similar to Milton Greene’s portrait in 1960.

In homage to designer Norman Norell proudly standing amongst his muses: models dressed in his signature sequined sheath gowns along with the Marchesa Luisa Casati, portrayed in Kees van Dongen’s 1921 painting, The Quai, Venice. Photo by Milton Greene, Life Magazine, September, 1960.


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Designer Norman Norell proudly standing amongst his muses: models dressed in his signature sequined

DesignerNorman Norell proudly standing amongst his muses: models dressed in his signature sequined sheath gowns along with the Marchesa Luisa Casati, portrayed in Kees van Dongen’s 1921 painting, The Quai, Venice. Photo by Milton Greene, Life Magazine, September, 1960.

Norman Norell owned the portait of the eccentric Marchesa Luisa Casati (the same Marchesa who inspired the label Marchesa by Georgina Chapman and Keren Craig) and designed his Fall 1960 collection in her honor.


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NorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by RalpNorellMaster of American Fashion Written by Jeffrey Banks and Doria de la Chapelle, Foreword by Ralp

Norell

Master of American Fashion

Written by Jeffrey Banks and Doria de la Chapelle, Foreword by Ralph Rucci, Afterword by Kenneth Pool

Rizzoli Electa , New York 2018, 224 pages

euro 76,00

The first book dedicated to the career and creations of esteemed fashion designer Norman Norell, the man hailed as the “Dean of American Fashion” by the New York Times.

Norman Norell (1900–1972)—the first American designer to employ couture techniques, refined workmanship, and luxurious fabrics—made dresses, coats, and suits that critics deemed “the equal of Paris,” earning him the sobriquet “the American Balenciaga” and forever changing perceptions about New York’s Seventh Avenue garment industry.

Norell showed the world that American design could climb to great heights by producing collection after collection that was both elegant and practical. He singlehandedly shaped the character of the ready-to-wear industry and served as a role model to younger generations of American designers. Early jobs included creating costumes for film and stage and outfits for the stars themselves, as well as working for fashion entrepreneur Hattie Carnegie. Norell brought to the world a lean sophistication and American glamour in his daytime suits, jersey separates, swing coats, and his shimmering sequined “mermaid” dresses. Clients included Lauren Bacall, Babe Paley, Jacqueline Kennedy Onassis, Lena Horne, Dinah Shore, Marilyn Monroe, and Lady Bird Johnson. Norell was the first thoroughly modern American designer—and his dresses are still prized by stylish women today.

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