#odissi

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There are some great dance workshops/camps being hosted in Austin this summer! 

Rama and Dakshina Vaidyanathan (Bharatanatyam)
Dates: May 18-20, 2015
Registration: [email protected]

Narendra Kumar (Bharatanatyam)
Dates: June 6-19, 2015
Registration: http://www.natyalaya.us/classes/camps/

Sujata Mohapatra (Odissi)
Date: June 28, 2015
Registration: [email protected] (more details here)

Suma Krishnamurthy (Bharatanatyam)
Dates: July 19-28 
Registration: http://www.natyalaya.us/classes/camps/

I have learnt from Narendra Kumar and his wife Anusha before and it was magical!! I definitely recommend them. 

If you guys know about any workshops coming up in your town, please let me know and I will post them on here and on Facebook. 

OdissiDancer: Sarita Mishra, a dancer with RudrakshyaPhotographer: Hemanth Shriyan

Odissi

Dancer: Sarita Mishra, a dancer with Rudrakshya
Photographer: Hemanth Shriyan


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Happy 25th Anniversary to the ever-beautiful Nrityagram! May 11, 1990 - May 11, 2015!!Odissi. Photo

Happy 25th Anniversary to the ever-beautiful Nrityagram! 

May 11, 1990 - May 11, 2015!!

Odissi. Photo by Nan Melville. 


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A glimpse into an abhinaya class with Smt. Kalanidhi Narayanan

Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.Photography by Christine

Zhen & Ping from Beijing China at Somnathpura Temple, Karnataka, India.

Photography by Christine Hewitt © yogicphotos.com


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The ankle bells worn by Indian classical dancers are an essential element of the dance. The sound ofThe ankle bells worn by Indian classical dancers are an essential element of the dance. The sound ofThe ankle bells worn by Indian classical dancers are an essential element of the dance. The sound ofThe ankle bells worn by Indian classical dancers are an essential element of the dance. The sound of

Theankle bells worn by Indian classical dancers are an essential element of the dance. The sound of the bells highlights the musical accompaniment to the dance, and make very obvious the dancer’s skill and precision. In many classical Indian dance forms, the number of rows increases as the dancer becomes more accomplished (for example, a student may begin with Ghungroo featuring two rows, and a masterful dancer might have four rows, or more). The name for the bells is Ghungroo (Hindi: घुँघरू ), and salangai in Tamil.

Pictured: A kuchipudi dancer (top), details (center), and a kathak dancer (bottom).

Further reading:
Kathak
Bharatanatyam
Odissi
Kuchipudi


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