#oh nice

LIVE

your-local-bunny-boy:

I want dumbification but like nice. Like, tell me how proud you are of me when I answer simple questions even when they’re wrong, remind me that I don’t have to think, that I’m your dumb bunny and I have one purpose and that’s to be your sex toy, tell me how much you love seeing just nothing behind my eyes or watching me think harder then I should when asked something, tell me that I’m a good boy, tell me I’m pretty when I’m not thinking

rottingraisins:

fun sketchbook disco stuff fom during my playthrough hee haw

threadbareturnbacks:

Part 1 Here, in which I give a 1000 word history of the beard in Anglo culture and its place in defining masculinity and empire.

Let’s start with the Pirate, Flint, and his journey of presenting Empire. Flint at his origin, or his McGraw, the absolute picture of 18th century moral appearance. His hair is long and neat, his face is clean, his clothes are correct for the story (though the English naval uniform didn’t exist until 1748). He is The Picture of English Empire In Our Collective Imaginations. The story tells us as much too. He’s had to be perfect in every way to get to where he is and that includes his physical appearance. He is, too, not conflicted about his place. Visually, he fits. Arguably he fits in place better than Thomas in the scenes by the docks. This is his space and he is comfortable in it. 

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Compare that to when he returns from Nassau. His beard is overgrown. It’s not particularly cared for and is, in fact, the some of the most beard we see on him until S4. It wasn’t unusual for a sailor to grow a beard while away at sea, but barbers traveled with both the navy and army, and to return to polite society with such a set of whiskers is a conscious disregard for propriety. All his other actions and appearances are correct, but his inner criminality is showing. He is, in the language of beards, obscuring his true self. His sins (Thomas, rejecting perceived wisdom, wanting to start over in the Hinterlands) are starting to take precedence over Love of Country. 

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And when we first meet him, 9 years later. His hair is tied back, not so long but still reasonably respectable. His beard and twirly mustache, however, is distinctly Jacobean. Strangely, besides his resistance to England itself, we never actually learn what Flint’s politics are, but we do know that Flint himself is a construct designed to be as frightening as possible to England and their ships. And in 1715, a visual Jacobite armed to the teeth is nothing if not a terrifying and direct rejection of King George I and the English State. But the longer hair still keeps him tethered to the idea of respectability (and Miranda, who keeps up the trappings of civilization despite their circumstances etc). He is caught between his two selves but neither is authentic, both require extensive upkeep and both are constructs that visually fit within a story that is not his own (the navy and his pirate persona).

Remember too, his calling card is his Ninja Outfit which isn’t a ninja outfit, but the outfit of a Barbary Pirate, a North African, and those connections to barbarism and barbers. He is literally balancing the line between the Other (Barbary) and resistance in appearance (Jacobism)  

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After Miranda dies, all bets are off. Friendship with civilization ended. His last ties of society are cut, literally, with a shorn head. Ironically, this is one of the more accurate cuts in the whole show - if a gentleman wore a wig, they did not have a nice tousled cut underneath a la Thomas or Guthrie, they shaved their heads to avoid lice, fleas, and other pests. But! A shorn head is also the signature haircut of, wait for it, Bedlam. He has literally cut Miranda and her tether to civilization and become wild, uncontained, and, like Thomas, mad by association. Maintaining a Jacobean flip in your ‘stache takes work, it’s always been part of his construct and theater and there is no more Flint Theater. There is only Flint. There is no going back. He is no longer pretending one way or another, he is and will be judged for who he is, not who is pretending to be. 

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He keeps this cut through S4, which, even if it takes place over 5 months, is going to require an occasional trip to the barber (or Silver does it for him though I doubt Flint’s letting anyone put a knife to his throat even if it is his one and only). It’s a classic ‘devil’ cut, and one that speaks to the Faustian nature of the show, where the theme of trading spiritual torment for power is always an undercurrent. 

And finally, Flint returns “home” to Thomas by means of Oglethorpe’s plantation. Apart of society, it takes the outcasts, the dregs, those that cannot participate in civilization. And in doing so, there are no longer requirements to fit within a role or story. And what do we see there? Thomas with a beard. He is no longer a member of Empire, no longer concerned with propriety. He’ll kiss a man in broad daylight. He’s wearing the outward signs of a madman. Neither of them require any trappings of civilization, they are firmly apart from it, never to return. 

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This show is the gift that keeps giving and I feel like the mirrors of analysis are endless and but boy am I pushing it. 

Part One - History of Beards

youwerenevermine: Jonerys AU | “Romeo + Juliet”  Moodboard JonerysSummerLovin2k22 || Day 3: Forbidde

youwerenevermine:

Jonerys AU | Romeo+Juliet Moodboard

JonerysSummerLovin2k22 || Day 3: Forbidden Love / Soulmates || @snowxstormworld


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firetrape:

Jonerys AU | “One day” | Moodboard

for@snowxstormworld​ Jonerys Summer Lovin’ 2k22 day 2: “Enemies to Lovers”

Summary:Jon Snow is a single father and former crime boss. When his daughter is kidnapped the ransom price is the Dragon Queen, Daenerys Targaryen.

laelish:

I just found out that Ko-Fi has an album feature in their galleries and you can format the albums like webcomics! TKT looks so good there, and I can sort them into seasons in chronological order and I am so excited for how this all looks! It was getting really unwieldy and hard to read and manage all these comics. The master list really only takes you so far. But this? Gorgeous. Absolutely beautiful. I was so excited, I uploaded all the TKT comics last night all in one go.

(Well, not all of them. They say don’t upload scandalous stuff and I really don’t want them to delete me so I played it pretty safe. They might anyway because you know. Fanart. But I am really hoping they don’t.)

Seriously y'all, go check it out on Ko-Fi. I don’t even care if you tip, just GO LOOK IT LOOKS SO GOOD!

Here’s a link to the Gallery

And here’s links to the individual albums:

000 – Character Designs

001 – Skybridger

002 – Lost in Wild Space

003 – TKT Season 1

004 – TKT Confessions Arc

005 – TKT Season 2

006 – TKT Padawan Comics

007 – TKT Proposal Arc

008 – TKT Season 3

009 – TKT Lothal Arc (One of the images in this one broke, but I’ll get it fixed soon.)

If you run into any issues let me know so I can get them fixed. Thanks as always to all of you for all the love and support you give these comics. It’s such a great experience and I love being part of this community!

oracle-of-ohio: dotoro3-arts:this tumblr post has me in a vice grip Aaaayyyyyy! I’m the blog that or

oracle-of-ohio:

dotoro3-arts:

this tumblr post has me in a vice grip

Aaaayyyyyy! I’m the blog that originally wrote the “it’s Dionysus” comment (I lost access to that account unfortunately) but this blows my mind!


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arnaerr: Our mistakes make us who we are.prints: x | xfull process on my Patreon

arnaerr:

Our mistakes make us who we are.

prints:x|x
full process on my Patreon


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denimecho: Guess what I’ve been playing

denimecho:

Guess what I’ve been playing


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veetlegeuse:

OC PRIDE CHALLENGE ✽ Day Fifteen: Pride

↳ Bram Solace & Danny Mahealani

If you wanna kiss the boy, then you better kiss the boy right now.

→ taglist: @waterloou@sunlitscrib@hiddenqveendom@akabluekat@arrthurpendragon@asirensrage@decennia@eleanorstulip@darth-caillic@kbeescreams@raith-way@eddiemunscns

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