#palais galliera

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Just Blue - Maison Lanvin illustration « La Diva », winter 1935-1936. - « La Diva », evening gown, wJust Blue - Maison Lanvin illustration « La Diva », winter 1935-1936. - « La Diva », evening gown, wJust Blue - Maison Lanvin illustration « La Diva », winter 1935-1936. - « La Diva », evening gown, w

Just Blue 
- Maison Lanvin illustration « La Diva », winter 1935-1936.
- « La Diva », evening gown, winter 1935-1936, silk velvet, Collection Palais Galliera.
- Yves Klein, Anthropometries of the Blue Period, 1962.


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#fashion #nouveau realisme #yves klein #jeanne lanvin #lanvin #alber elbaz #palais galliera #mode à paris #haute couture #couture #embroidery #la diva #fashion illustration 
KUNST & MODE@KUNST & MODE
Sun, 03 May 2015 11:06:06
The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the The very surprising and brief return of the crinoline, 1920-30A brief fashion was the return of the

The very surprising and brief return of the crinoline, 1920-30

A brief fashion was the return of the crinoline in the 1920s. In a period dominated by women abandoning their corsets and stiffened underskirts to instead don the tubular shapes, this is an example of different trends living side by side.

The 1910s also saw experiments with hip shapening, especially through Paul Poiret’s “Lamp Shade Tunic” (Sorbet) in 1913. But this was a part of his interest in theatrical “oriental” garments like the harem pants, turbans and Ballet Russe ensembles, and not necessarily something that widely caught on.

Many of the 1920s “crinoline” gowns were court gowns of different kinds, but with the amount in existence in museums around the world it appears the style was also adapted for non-court wear. It’s often referred to as “Robe de Style”.

  1. Evening/court gown, ca. 1920, Boué Soeurs (with embroidery by Lesage). Kunstindustrimuseet/Design Museum Denmark, Copenhagen ( X).
  2. Court presentation ensemble, 1928, The Metropolitan Museum of Arts, NYC (C.I.68.48a–e).
  3. Evening gown, 1920s, The Metropolitan Museum of Arts, NYC ( X).
  4. Same as no. 2, without train.
  5. Robe de Style, 1929, by the Boué Soeurs ( X)
  6. Same as no. 2, back
  7. Court presentation ensemble, 1932-34 (?), Boué Soeurs. The Metropolitan Museum of Arts, NYC (2009.300.1251ab).
  8. Evening/court gown, ca. 1920, Boué Soueurs. Worn by Countess Astrid Ahlefeldt-Laurvig. The skirt width indicates a stiffened underskirt would have been worn originally, and with it the dress would have been near identical to no. 3 and no. 8. Holbæk Museum, Denmark ( X).
  9. Evening/court gown, 1925-28, Boué Soeurs. Palais Galliera, Paris ( X). 

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#robe de style #boue soeurs #lesage #historical fashion #dress history #the metropolitan museum of art #design museum denmark #holbæk museum #palais galliera #court wear #astrid ahlefeldt laurvig 
ANEA COSTUMES@ANEA COSTUMES
Mon, 16 Jan 2017 11:41:14
Gabrielle Chanel, Spring–Summer Dress, 1960,Embroidered Cotton Tulle, Lamé, Organdie,Palais Gallier

Gabrielle Chanel, Spring–Summer Dress, 1960,

Embroidered Cotton Tulle, Lamé, Organdie,

Palais Galliera, Paris,

Gift of Chanel Photo 

© Julien T. Hamon


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#design #fashion photography #fashions #womens fashion #chanel #gabrielle chanel #cocochanel #embroidelicious #embrodery #palais galliera #collectors #luxurylifestyle #history #spring #summer 
Girls Dressing Rooms!@Girls Dressing Rooms!
Tue, 07 Dec 2021 12:12:41
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