#peter halley
Peter Halley | White Prison
acrylic, fluorescent acrylic and Roll-A-Tex on canvas
32 x 32 in. (81.3 x 81.3 cm.)
executed in 2017
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Peter Halley | Maroon Prison
acrylic, fluorescent acrylic, and Roll-a-Tex on canvas
45 3/8 x 40 x 3 7/8in. (115.3 x 101.5 x 9.8cm.)
executed in 2008
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Peter Halley - Force of Nature, 2020, acrylic fluorescent acrylic and Roll-a-Tex on canvas, 204 x 188 x 10 cm, 80 5/16 x 74 1/16 x 3 14/16 in
What a perfect room.
PETER HALLEY
Galleria Massimo Minini
Collaboration with Alessandro Mendini
Brescia, Italy, 2008
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“Bad Faith”
Nayland Blake, Jessica Diamond, Peter Halley, Robert Morris
James Fuentes Gallery, 55 Delancey St., NYC
Video Link: https://youtu.be/kPjGgb4OfIs
in the first part of this video, James Kalm visits James Fuentes Gallery and walks us through “Bad Faith,” an exhibition that presents works by artists Nayland Blake, Jessica Diamond, Peter Halley and Robert Morris “made in New York City between 1982-1994. Revealing a collective anxiety caused by increasingly conservative US foreign and economic policies—from the Cold War to the rise of neo-liberal politicians—and the fraught landscape of the culture wars in the wake of the AIDS crisis and identity politics, these works reflect a historical moment of deep cultural and political uncertainty.”
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