#quadrant

One of the many pleasures of Nicolas Winding Refn’s “Drive” (2011) is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame. Let’s take a look.

For educational purposes only. You can donate to support the channel at
Patreon:http://www.patreon.com/everyframeapainting

And follow me here: Twitter: https://twitter.com/tonyszhou
Facebook:https://www.facebook.com/everyframeapainting