#nicolas winding refn
A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes.
Drive, 2011 (dir. Nicolas Winding Refn)
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Drive (2011)
Cinematography: Newton Thomas Sigel
Cast: Ryan Gosling (Driver), Carey Mulligan (Irene Gabriel), Bryan Cranston (Shannon), Albert Brooks (Bernie Rose), Oscar Isaac (Standard Gabriel), Christina Hendricks (Blanche), Ron Perlman (Nino)
Director: Nicolas Winding Refn
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One of the many pleasures of Nicolas Winding Refn’s “Drive” (2011) is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame. Let’s take a look.
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![Movie Title #63The Neon Demon [FR / DK / USA 2016, Nicolas Winding Refn]](https://64.media.tumblr.com/820f3ea5b0165dfda26e455e4d04595e/tumblr_ohkmxkT58E1trk2zco1_1280.jpg "Movie Title #63The Neon Demon [FR / DK / USA 2016, Nicolas Winding Refn]")
I doodled Heartman because he is a precious man and he deserves more attention <3
“You shouldn’t mess around with boys that are bigger than you.”
Directed by Nicolas Winding Refn
Bronson (2008)
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You kind of have to admire Nicolas Winding Refn; love him or loathe him, he certainly marches to the beat of his own drum. It’s just a shame that his drum tends to be super pretentious/a bit too weird right now.
I can’t think of a director whose two consecutive films have caused such a divisive response from me – Drive was absolutely phenomenal and worth every single superlative thrown its way, Only God Forgives was absolutely woeful. Soulless, dull and wedged incredibly far up its own bottom. The Neon Demon is somewhere in the middle.
It’s very much a mixed bag. Pros: It looks stunning, every shot is immaculate and there’s some kind of morbid fascination that goes along with watching some of the particularly gross moments. Cons: It’s SO pretentious, it’s soulless and I didn’t care a jot about what happened to anyone. And obviously there’s no Ryan Gosling. Boo.
So, it won’t make you want to punch a wall in anger and frustration like Only God Forgives but it would also have a long way to crawl to even lick the no doubt neon trimmed heels of its infinitely superior brother Drive. Maybe worth a quick watch for the spectacle/the yuckiness if you’re super bored.
☆☆☆
OKAy where the fuckis the Cannes Festival program i’ve been waiting SO LONG for this. But if they waste spots on big Hollywood films its a slap in the face to the point of Cannes, like come on they should be helping unknown filmmakers and true European arthouse heroes. if they waste a spot on Catching Fire like I’ve heard they might I will be SUPER PISSeD (I love the hunger games but this is notthe place, it does not need any extra publicity)
I want me some Von Trier, some Xavier Dolan, some Nicolas Winding Refn, some Steve McQueen and some NEW filmmakers to look forward to
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