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andythelemon:回憶 / RECOLLECTION32 pg | A5 | saddle stitch | full colourAn illustrated zine ofandythelemon:回憶 / RECOLLECTION32 pg | A5 | saddle stitch | full colourAn illustrated zine ofandythelemon:回憶 / RECOLLECTION32 pg | A5 | saddle stitch | full colourAn illustrated zine of

andythelemon:

回憶 / RECOLLECTION

32 pg | A5 | saddle stitch | full colour

An illustrated zine of original works from 19 artists of Chinese heritage, themed around our most precious childhood memories. This is the first project I’ve put together that consists entirely of original art, so I hope you’ll enjoy it!

Contributors:Andy-Kat Tsai-Clue-Jin-Stephanie Escalona Morales-Karen Lee-Allissa Chan-Six-Jununy-Tia-Ilsa Zhang-Lexin Yuan-Eun-Laura-Vi-Vivian Zhou-XiaoArts-Killian Ng-Bonnie Gao

Pre-orders close 31st December, books will be shipped mid-late January. All revenue goes to production costs; any extra profit after fulfillment will be donated to charity. Please contact the store if you have questions/issues not covered by the FAQ. Thanks so much for your support!

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#NewWorkWednesday Feeling The Heat by Irish artist Lisa O'Donnell. Based in London, Lisa completed h

#NewWorkWednesday Feeling The Heat by Irish artist Lisa O'Donnell. Based in London, Lisa completed her MA at Central St Martins & makes work that is a mix of recollection, history & memory. “I spend a significant amount of time collections images as well as stories, trawling usually through a huge mass of information, quite often letting intuition or chance help with the selection process.” See more of the artist’s work on Artfetch.com. #painting #art #newart #emergingart #emergingartists #emergingartist #centralstmartins #gmit #newwork #justadded #stories #memory #recollection #history #london #irish #londonirish #immigration #culture


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[…] body memory carries with it a fundamental ambiguity: the body’s memory of places belongs to us as personal subjects and simultaneously can remain at odds with our personal recollection of the past. […] Traumatic memory is one especially visceral way that the body can become a host for a living history that the traumatized subject is alienated from despite being constituted by that past. But this sense of body memory as being the site of a different past is not limited to trauma. […] the role of body memory can help explain phenomenon such as hauntings. Both trauma and hauntings call upon the idea that the body has a hidden teleology that strives toward the preservation of self, even if that self is now a materialization of self-estrangement, now ill-at-home in its flesh.

— Dylan Trigg, “Interview with Dylan Trigg,” Figure/ Ground, 2012.

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