My implement bag contains a nice long metal shears…..cold steel pressed against flesh as one of the jaws slips under the beautiful lingerie….the only question is, do I begin at the clevage or at the crotch…….
The five-colored-rope bracelet which was given at Hasedera temple in Nara for the occasion of Eleven-face Kannon (a Bodhisattva) special viewing (usually hidden). I have not known what to do with the rugged, easily slackening rope loop, showing a tie to the humongous Kannon, but recently found that Hasedera introduces with footage untying and remaking to agemaki-musubi (a decorative rope work with supernatural intention) for a talisman.
As I went into agemaki knotting, I knew it’s been used for quite a long time (since the tumultuous period—the mid-third century to the seventh century) and there two types exist: hito-gata (人型) to protect against evils and dangers, and iri-gata (入型) to invite good luck and happiness (the 人 and 入 kanji letters are according to how two sides crossing of the knot looks like. 型 means shape). Whereas hito-gata is often used for samurai’s helmets and armors (protection), iri-gata is used for bridal costume and furnishings (happiness). I also found Hasedera’s footage showed hito-gata (against evil), though shrines use iri-gata (good luck), so it turns out shrine and temple are using opposite-direction knotting—I don’t know what it means.
I just simply followed Hasedera’s iri-gata knotting (protection) since the rope should be connected to Buddha, not god (kami). Then I removed silk scarf from my Coach bag and tied the rope to the handle. …Pretty stands out unexpectedly. I could even say traditional something of Spain or Italy (something’s what?).
Anyway, the five-colored-rope bracelet is effectively utilized and now I’m protected. Great.
