#rubens

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Peter Paul Rubens, Head of Medusa. c. 1617-18.

Peter Paul Rubens, Head of Medusa. c. 1617-18.


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artist-rubens: Nature Adorning the Three Graces, 1615, Peter Paul RubensMedium: oil,board

artist-rubens:

Nature Adorning the Three Graces, 1615,Peter Paul Rubens


Medium: oil,board

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artist-rubens: The Cardinal Infante, 1634, Peter Paul RubensMedium: oil,canvas

artist-rubens:

The Cardinal Infante, 1634,Peter Paul Rubens


Medium: oil,canvas

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Detail from Venus and Cupid / Rubens / Thyssen-Bornemisza museum, Madrid #Venus #ThyssenBornemisza #

Detail from Venus and Cupid / Rubens / Thyssen-Bornemisza museum, Madrid #Venus #ThyssenBornemisza #Madrid #Rubens


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Lion Hunt, Peter Paul Rubens, 1621, oil on canvas

Lion Hunt, Peter Paul Rubens, 1621, oil on canvas


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Peter Paul Rubens | Samson and Delilah | 1610

Peter Paul Rubens | Samson and Delilah | 1610


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 The Holy Family with Saints Elizabeth and John the Baptist, Peter Paul Rubens (Flemish, Siegen 1577

The Holy Family with Saints Elizabeth and John the Baptist, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), 1610-20

Oil on panel

114.5 × 91.5 cm


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The Calydonian Boar Hunt, Peter Paul Rubens (Flemish, 1577–1640), 1611-1612

Oil on panel

artist-rubens: Adoration of the Shepherds, 1608, Peter Paul Rubens

artist-rubens:

Adoration of the Shepherds, 1608,Peter Paul Rubens


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Peter Paul Rubens (1577-1640)A Flemish Baroque painter, who is best known for his epic history paintPeter Paul Rubens (1577-1640)A Flemish Baroque painter, who is best known for his epic history paint

Peter Paul Rubens (1577-1640)

A Flemish Baroque painter, who is best known for his epic history paintings of myth and patriotic glory, such as his famed ceiling paintings at Inigo Jone’s unique Banquet House, which unashamedly reinforces the devine right of Kings. In my mind however when I think of Rubens I think of his delicately vivid palette and fleshy sensuous depiction of the female body. 

This style is particularly indicative of his later works which feel more liberated, less academic and restrained. Perhaps these physical developments were encouraged by his second marriage to Hélène Fourment four years after the death of his first wife, when Rubens was well into his 50s and she was a tender sixteen years of age. As made clear from this intimate revealing portrait of Fourment, he took great inspiration from her curvaceous form, and had elevated her to the status of muse. 


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Tereus Confronted with the Head of His Son Itylus, 1638, Peter Paul RubensMedium: oil,panel

Tereus Confronted with the Head of His Son Itylus, 1638,Peter Paul Rubens


Medium: oil,panel
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Sketches, 1625, Peter Paul RubensMedium: oil,wood

Sketches, 1625,Peter Paul Rubens


Medium: oil,wood
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Descent from the Cross, 1614, Peter Paul RubensMedium: oil,panel

Descent from the Cross, 1614,Peter Paul Rubens


Medium: oil,panel
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