#baroque art
Aeneas and His Father Fleeing Troy
Simon Vouet (French; 1590–1649)
ca. 1635
Oil on canvas
San Diego Museum of Art, San Diego, California
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The Lamentation
Domenichino (Domenico Zampieri) (Italian; 1581–1641)
1603
Oil on copper
The Metropolitan Museum of Art, New York
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Narcissus and Echo
Frans de Neve (Flemish; 1606–after 1688), attributed to
17th century
Oil on canvas
Sotheby’s, New York
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Narcissus and Echo
Frans de Neve (Flemish; 1606–after 1688)
17th century
Etching
The Metropolitan Museum of Art, New York
Published by Giovanni Giacomo De Rossi (Italian; 1627–1691)
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Saint Mary Magdalene in the Wilderness
Frans de Neve (Flemish; 1606–after 1688)
Oil on canvas
Christie’s, London
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The Holy Family with Saints Elizabeth and John the Baptist
Peter Paul Rubens (Flemish; 1577–1640)
ca. 1610–20
Oil on panel
Art Institute of Chicago, Chicago, Illinois
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The Burial of Christ
Annibale Carracci (Italian; 1560–1609)
1595
Oil on copper
The Metropolitan Museum of Art, New York
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The Triumph of the Name of Jesus
Giovanni Battista Gaulli (Il Baciccio) (Italian; 1639–1709)
1676–79
Oil on paper, laid down on canvas
Princeton University Art Museum, Princeton, New Jersey
Working study for one of the most important illusionistic Baroque frescoes, The Triumph of the Name of Jesus, on the ceiling of Il Gesù in Rome
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Selene and Endymion
Ubaldo Gandolfi (Italian; 1728–1781)
ca. 1770
Oil on canvas
Los Angeles County Museum of Art, Los Angeles, California
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Hendrick Goltzius (1558–1617, The Netherlands)
The Creation of the World
Goltzius was a Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, a leading example of the Northern Mannerism style, noted for his sophisticated technique and the exuberance of his compositions. According to A. Hyatt Mayor, Goltzius “was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy”. In middle age he also began to produce paintings.
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The Holy Family with Saints Elizabeth and John the Baptist, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), 1610-20
Oil on panel
114.5 × 91.5 cm
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Bust of a Youth(Saint John the Baptist?), Francesco Mochi (Italian, 1580-1654), 1625-405
Marble, on variegated black marble socle
40.5 × 33 × 29 cm
The Calydonian Boar Hunt, Peter Paul Rubens (Flemish, 1577–1640), 1611-1612
Oil on panel
Lucretia, Artemisia Gentileschi (Italian, 1593-after 1654), ca. 1627
Oil on canvas
Tethys. Goddess of the Waters, Hendrick Goltzius (Dutch, 1558-1617), ca. 1590
Chiaroscuro woodcut print on paper
Jan Davidsz. de Heem (Dutch, 1606-1684), Still Life with Fruit and Butterflies, 1652
Oil on oak
32.8 x 48.8 cm
Marten Boelema de Stomme - Still-Life with Nautilus Cup
17th century
oil on panel
Hallwyl Museum, Stockholm
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Jan Davidsz. de Heem - Fruit bowl with flowers
first half of 17thcentury
oil on panel
National Museum, Poznań
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Jan van der Heyden - An Architectural Fantasy with a Triumphal Arch
17th century
oil on panel
The National Gallery, London
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Still Life with Dainties, Rosemary, Wine, Jewels, and a Burning Candle(akaAllegory of Marriage), Clara Peeters, 1607
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Jan Brueghel the Elder and Hans Rottenhammer - The Rest on the Flight into Egypt
c. 1595
oil on coper
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Michael Lucas Leopold Willmann (1630-1706), The Beheading of St. Paul, no date
Etching and engraving.
Image releaed into the public domain.
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Detail from “Saint Jerome Meditating”, 1605, Caravaggio.
Incomplete - Chiesa di San Domenico, Piazza del Plebiscito, Ancona (AN), Italy. Photo: © Wolfram Mikuteit
Architect: Carlo Marchionni (1702 - 1786); built 1771 - 1778. The upper part of the façade in baroque style remained unfinished.
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