#russian folk art

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Natalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, EvgenNatalia GoncharovaEdited by Matthew Gale and Natalia SidlinaWith contributions by Timo Huusko, Evgen

Natalia Goncharova

Edited by Matthew Gale and Natalia Sidlina

With contributions by Timo Huusko, Evgenia Iliukhina, Evgenia Petrova, Jane Pritchard, Ludovica Segrebondi, Zelfita Tregulova and Katy Wan

Tate Publ. , London 2019, 224 pages, approx 180 colour ill., 26.5 x 21 cm., ISBN  978-1849766296

euro 35,00

email if you want to buy :[email protected]

This beautifully illustrated paperback book accompanies the first exhibition in the UK to cover the entire spectrum of Natalia Goncharova’s artistic practice.

Natalia Goncharova (1881–1962), a key figure of the modernist art movement, gained international fame for her trailblazing experiments in painting and design. Early in her career, she established herself as a leader of the Russian avant-garde with a major show in Moscow in 1913. In France, Goncharova’s talents were noticed by Sergei Diaghilev; soon, she was designing costumes and backdrops for Ballets Russes performances in major cities throughout Europe.

Goncharova’s artistic output traces, influences, and transcends the art movements of the 20th century. She paraded through the streets of Moscow displaying futurist body art, yet worked on religious murals; she participated in avant-garde cinema and created stage designs; she even illustrated socialist newspapers. This book, along with the exhibition it accompanies, explores her diverse sources and influences, from Russian folk art and textile designs to the latest trends in modernism and beyond. Insightful essays and lavish illustrations bring Goncharova’s work to a new audience.

06/04/21

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Le Sacre du Printemps (The Rite of Spring)

{ Music by Stravinsky, choreography by Nijinsky + costumes by Roerich; first performed by Diaghilev’s Ballets Russes in 1913 }

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