#the rite of spring
A posed group of dancers (left to right: Julitska, Marie Rambert, Jejerska, Boni, Boniecka, Faithful) in the original production of Igor Stravinsky’s ballet The Rite of Spring (1913), showing costumes and backdrop by Nicholas Roerich.
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Le Sacre du Printemps (The Rite of Spring)
{ Music by Stravinsky, choreography by Nijinsky + costumes by Roerich; first performed by Diaghilev’s Ballets Russes in 1913 }
Maurice Ravel and Igor Stravinsky, c. 1913. Stravinsky recalled fondly of Ravel’s defense of The Rite of Spring in later years during one of his Harvard lectures: "I hold that it was wrong to have considered me a revolutionary. When the Rite appeared, many opinions were advanced concerning it. In the tumult of contradictory opinions, my friend Maurice Ravel intervened practically alone to set matters right. He was able to see, and he said, that the novelty of the Rite consisted, not in the writing, not in the orchestration, not in the technical apparatus of the work, but in the musical entity.“
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