#sam gilliam
Sam Gilliam
10/27/69, 1969
For Gilliam, “the year 1968 was one of revelation … something was in the air, and it was in that spirit that I did the Drape paintings.” The works’ tension and free fall—subject to forces beyond the artist’s control—paralleled the social turmoil of the time.
As a Black artist Gilliam deliberately worked against what non-Black people deemed “Black art.”**** Unlike many of his peers, he refrained from literal depictions or messages in his art. He was committed to abstraction, stating, “the expressive act of making a mark and hanging it in space is always political. My work is as political as it is formal.” Gilliam’s titles refer to historical and artistic events alike: 10/27/69 marks the date he completed this painting, against the backdrop of mass demonstrations protesting the Vietnam War. Revised text (edits marked with ****) from MoMA NY.