#superposition
La mirada es una elección. El que mira decide fijarse en algo concreto y, por consiguiente, a la fuerza elige excluir su atención del resto de su campo visual. Ésa es la razón por la cual la mirada, que constituye la esencia de la vida, es, en primera instancia, un rechazo.
[Metafísica de los tubos | Amélie Nothomb]
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We queued outside a big black box to find THIS inside! Very cool work by #superposition #wearesuperposition #liminal #architecture #architects #mirrorselfie #mirrormirroronthewall #eurasians #iWearMySunglassesAtNight #hkdj #femaledj #hkboy #hkgirl #londondj #djane #festivalfashion #festivalwear #hunterhk #hunter #Hunterboots #Dienastie #playharddienastie #BeAheadliner #Electricsekki #modeling #bluesteel
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Rue Sainte-Hélène Strasbourg
Stop Global Warming
Photography project
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#Strasbourg #instastrasbourg
#superposition #overlapping #doubletake
#streetphotography #streetphoto
#stopglobalwarming (at Strasbourg, France)
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Superposition de deux clichés et report sur carnet d'Elena : deux confettis sont là pour rassurer, on ne verra pas de tétons, ouf ! Nous avons eu chaud !
why don’t we rely on chemistry?
superposition ~ young the giant
day one hundred: a song. actually not “a song”. THE SONG.
(This video clip will be constantly updated during tour. Tour dates: ryojiikeda.com)
superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics. Performers will appear in his piece for the first time, performing as operator/conductor/observer/examiners. All the components on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness - these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.
Concept, direction and music: Ryoji Ikeda
in collaboration with
Performers: Stéphane Garin, Amélie Grould
Programming, graphics and computer system: Tomonaga Tokuyama, Norimichi Hirakawa, Yoshito Onishi
Optical devices: Norimichi Hirakawa
Stage manager: Simon MacColl
Technical manager: Tomonaga Tokuyama
Production assistant: Daisuke Sekine
World Première on 14, 15, 16 November 2012 at the Centre Pompidou with the Festival dʼAutomne à Paris (FR)
Avant-Première on 5 August 2012 at ZKM (Karlsruhe, DE)
Commissioned by Festival d’Automne à Paris (FR) for the musical part
Created and developed at Parc de La Villette (Paris, FR), YCAM Yamaguchi Center for Arts and media (JP) and ZKM (Karlsruhe, DE)
Coproduction : Festival dʼAutomne à Paris (FR), Les Spectacles Vivants - Centre Pompidou (Paris, FR), Barbican (London, UK), Concertgebouw Brugge (Bruges, BE), Festival de Marseille (FR), Parc de La Villette (Paris, FR), Kyoto Experiment (JP), ZKM (Karlsruhe, DE), STRP Art and Technology Festival (Eindhoven, NL).
With the support of the DICRéAM-CNC (FR)
Production and Touring : quaternaire.org
