If the rumours are true, Spectre will mark Daniel Craig’s last adventure as Bond, so bets are already on to discover who will take his place.
One of the favourites is Tom Hardy, but the 37-year-old insists it’s all hearsay, “myths circulated by people who don’t know what’s going on.
“I think a question like that is certain death for anybody who would be interested in playing that part. So I don’t know whether to say yes or no to it…
“I wouldn’t say no,” he adds after a slight pause. “There’s been no serious conversation.”
He thinks his description as a ‘Hollywood hard man’ is “nonsense”.
“Do you know what I think? If you play the bass in the band, you play the bass in the band, but I can drum too,” he offers, in an East End accent that belies his roots in leafy south-west London, where he grew up the only child of artistic, literary parents.
He can also lip-sync, as proven in the viral videos of him miming along to the likes of Whitney Houston and 50 Cent.
“Yeah, I’m pretty good at that,” Hardy agrees, grinning. “I’m a bit of a Dubsmash man,” he adds, referring to the popular app.
Hardy insists there was no persuasion needed to play both twins. “Absolutely none. I wanted it. It was just a question of how I was going to get it.”
There has been talk he was more interested in portraying Ronnie, the psychotic, openly gay brother who was eventually certified insane, and spent most of his life at Broadmoor Hospital before dying of a heart attack in 1995.
“If I had to choose between the two, then yeah, there was a moment in the conversation where Brian wanted me to play Reg, ‘cause Reg was his lead. And me being me, well, it wouldn’t be me if I didn’t go for the other one immediately. But Ron is the firework in many ways.”
Helgeland has revealed that Hardy in “Ron mode” was a lot easier to deal with than when he was on set as Reggie.
“I was a bit less confident in playing Reggie [who was released from prison on compassionate grounds six weeks before cancer claimed his life in 2000],” the actor admits. “I find straight leads really quite complicated, because they don’t do anything. Things happen to them and they respond to the environment. It’s quite ‘plod, plod, plod’ and kinda boring.
"It’s very easy to play Ronnie because there’s an unpredictability to him, so my brain can start to respond in a dramatic environment to that type of mechanism,” he continues.
With the film’s tight budget and schedule, cramming 100 locations into the seven-week shoot, Hardy would generally start the day as whichever brother had more screen time. This would often be Reggie, and when those scenes were done, he would disappear into make-up and wardrobe for an hour, adopt the wig, teeth, and plumped up the nose, and reappear as Ron.
“There was no CGI, we didn’t have the budget for it, so it was back to old-school tricks, split screen and talking to a tennis ball or Jacob [Tomuri, Hardy’s stunt double]. At the same time, you’ve got the rest of the cast who’ve got to deal with the fact we’ve got a split dynamic in the room, so it was kind of mathematical in a strange way.”
In preparing for any performance, Hardy explains: “It’s always a question of research and whether you’ve done your homework.”
He talked to “various members of that world in private meetings”, studied photos, and watched the small amount of footage of the Krays that exists. “But you can’t really take a lot from that because they were on show, and you can’t tell whether that’s their true voice or mannerisms.”
Now with the film in the can, he reflects on the experience with “a healthy indifference”.
“It was a thesis I worked on for a little bit, and that’s where I leave it, at the end of the day,” says Hardy.
“I’m healthily indifferent to anything really, so I can invest in the next thing that comes along.”