#watercolortools
Part 2: Let’s talk about selecting paper and brushes!
Paper is such a personal preference, and it can take a bit of exploration (and a few abandoned sketchbooks) to find what works best for you. I’m still looking too!
Have any questions about paper or brushes? Or recommendations for me? Leave me a comment!
On Thursday, we’ll explore some other tools that complement watercolour painting to conclude this series. Happy painting!
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This is the first of a 3-part series based on some questions I received from aspiring watercolourists on my Instagram. Let’s talk about what to look for in watercolour paints. Paints are a very personal choice and will require some experimentation, so this is just a starting point!
On Tuesday, I’ll share my tips for selecting paper and brushes.
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Here’s a detailed list of my palette on page 3:
/ PV19: Red Rose Deep, Quinadocrine (Da Vinci)
/ PR188, PO62: Vermilion Hue (Da Vinci)*
/ PY3, PY42: Gamboge Hue (Da Vinci)*
/ PY97: Arylide Yellow (Da Vinci)
/ PG18: Viridian Hue (Da Vinci)
/ PB15, PG7: Turquoise Blue (Rembrandt)
/ PR101: Burnt Sienna (Winsor & Newton)
/ PY42: Gold Ochre (Winsor & Newton)
/ PB15: Cerulean Blue (Holbein)
/ PB35: French Ultramarine (Winsor & Newton)
*I plan on switching these paints out soon, and don’t particularly recommend them. I will post an updated palette in the future!
If you’d like a closer look at pigments and building a palette,handprint.comis a really comprehensive resource I refer to all the time.
Happy painting! I’ll see you in Part 2!
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