#40s movies

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In Italy, Hitchcock’s Rebecca (1940) was released as La Prima Moglie (The First Wife). That’s a comp

In Italy, Hitchcock’s Rebecca (1940) was released as La Prima Moglie (The First Wife). That’s a compelling title, especially when presented alongside images of Judith Anderson’s intimidating Mrs Danvers and Joan Fontaine’s naive young woman. If you weren’t familiar with the story when you saw a cinema lobby card like the one above, you could quite easily assume that the woman in black was the first wife herself. That draws Danny and her beloved mistress even closer together in the imagination. The unhinged housekeeper isn’t just ‘standing in’ for Rebecca anymore. She is Rebecca.


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Lucille Ball & Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. DanieLucille Ball & Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. DanieLucille Ball & Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. DanieLucille Ball & Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. DanieLucille Ball & Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. Danie

Lucille Ball & Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. Daniels



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Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. DanielsBoris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. DanielsBoris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. Daniels

Boris Karloff in Lured (1947) dir. Douglas SirkCinematography by William H. Daniels



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Lured (1947) dir. Douglas SirkCinematography by William H. DanielsLured (1947) dir. Douglas SirkCinematography by William H. Daniels

Lured (1947) dir. Douglas Sirk

Cinematography by William H. Daniels


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