#architectural graphics

Prototype

Gustav Klutsis. Projects series for stands and propaganda facilities. 1922

Constructivism flows over the process from image to structure and from spatial structures to its production.

Through Suprematism created by Malevich to abstract spatial constructions made by Lissitzky with his ‘prouns’, Gustav Klutsis went beyond and started his own experiments of abstract spatial structures and traslate them into real objects through dynamic transformations. These artifacts are in effect,  something like materialized 'prouns’ in specific objects.

The Prototypes above were part of the project series for stands and propaganda facilities to  mark the fifth anniversary of the October Revolution and the Fourth Congress of the Komintérn in 1922.

Fictional Landscapes

Definitely, Chernikhov’s graphic representation anticipated a Century, it was also influential on architects and designers from Zaha Hadid to Yourself.

‘ – Architectural Fictions.’ Eleanor Gawne, AA blog 

 .. Iakov Chernikov (1889-1951) published over fifty works in his lifetime, including six works between 1927-33. Collectively, they can be seen to propose a ‘detailed course of liberating, stimulating education in the fundamental disciplines of three-dimensional design as they are encountered in the complex functional and expressive tasks addressed by architecture’. ..

One of Chernikov’s works in the AA Library, Architectural fictions: 101 coloured prints, 101 architectural miniatures (Moscow/Leningrad, 1933), was lent to the Imagine Moscow exhibition, held at the Design Museum earlier in 2017…

Consisting of 101 pages of drawings, the book also included explanations of their technique and basic principles behind them. Although published in Russian, the title pages are printed in Russian, German, French and English (in English, the word ‘fiction’ is used instead of ‘fantasies’.) The subject of the drawings is the new age of the city and industrialisation, of what Saski calls the ‘possibilities of the near future, images which had arisen in the author’s mind’. The drawings have been described as finding appropriate expression for the institutions and architecture of post-revolutionary nation. Each image has an elaborate, not very informative description; axonometric projection is the preferred drawing style. His drawings have been considered not just fantasies but insights into the possibilities of technology; the designs feature free and bold curves, and steel trusses in industrial settings.

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