#barbara morgan

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 Barbara Morgan, Valerie Bettis, The Desperate Heart (Kick), 1944.

Barbara Morgan,Valerie Bettis, The Desperate Heart (Kick), 1944.


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 Barbara Morgan, Pure Energy and Neurotic Man, 1940. Gelatin silver print mounted to board.

Barbara Morgan,Pure Energy and Neurotic Man, 1940. Gelatin silver print mounted to board.


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War Theme, Photo by Barbara Morgan, 1941

War Theme, Photo by Barbara Morgan, 1941


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Martha Graham, Lamentation (Oblique), Photo by Barbara Morgan, 1935

Martha Graham, Lamentation (Oblique), Photo by Barbara Morgan, 1935


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Lisette Model, Shadows, 1940-41 Gelatin silver print, printed c. 1960s, 13 3/8 x 9 7/8 in., Courtesy

Lisette Model, Shadows, 1940-41 Gelatin silver print, printed c. 1960s, 13 3/8 x 9 7/8 in., Courtesy Bruce Silverstein Gallery, New York

SONGS AND THE SKY

Exhibition from April 28 to June 18, 2016 at Bruce Silverstein Gallery, Paris Fair Exhibitor

535 West 24th Streetn 10011 New York
[email protected]
T +1 212 627 3930
www.brucesilverstein.com

Bruce Silverstein Gallery is pleased to present Songs and the Sky, an exhibition of art and music.

Artworks by Lisette Model, Barbara Morgan, Aaron Siskind, Frederick Sommer, and Alfred Stieglitz will be paired with musical compositions by Ernest Bloch, John Cage, Arnold Schoenberg, Henry Cowell, and Christopher Washburne. Historically and conceptually relevant musical compositions were chosen to provoke, compliment, enhance, and challenge a reading of the visual artworks. Music served as literal or ideological inspiration for these artists, who sought to create images with the equivalent potential to communicate or translate abstract concepts directly…

Read more at parisphoto.com/agenda/songs-and-the-sky


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Barbara Morgan described the performance “Lamentation” by Martha Graham as a “dance of s

Barbara Morgan described the performance “Lamentation” by Martha Graham as a “dance of sorrow … the personification of grief itself.” Working to portray the melancholy essence of the dance and to capture its “visual peak,” Morgan produced a dramatically diagonal image of the American modern dance pioneer. Though Graham leans on a bench, her arms and legs extend expressively to stretch the dark fabric that envelops her—a material that, according to the dancer, “indicate[s] the tragedy that obsesses the body, the ability to stretch inside your own skin, to witness and test the perimeters and boundaries of grief.”

See this photograph on view in our newest installation “Elegy: Lament in the 20th Century.”

Martha Graham - Lamentation,” 1935 (negative); c. 1981 (print), by Barbara Morgan © Barbara Morgan, the Barbara Morgan Archive


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wehadfacesthen: Martha Graham performs her solo Frontier in a 1935 photo by Barbara Morgan

wehadfacesthen:

Martha Graham performs her solo Frontierin a 1935 photo by Barbara Morgan


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transistoradio:Barbara Morgan (1900-1992), Graham - Celebration - (Trio-Dudley-Maslow-Flier) (1930s)

transistoradio:

Barbara Morgan (1900-1992), Graham - Celebration - (Trio-Dudley-Maslow-Flier) (1930s), gelatin silver print. Via Haggerty Museum.


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