#chris baio
PHILOSOPHY! - Baio
Man of the World - Baio
Sensitive Guy - Baio
New Song Titles from ‘Father of the Bride’ + Descriptions
From The Sunday Times (UK):
’Hold You Now’ - album opener; described as ‘gorgeous’ and 'folky’ and has a choral sample from 'The Thin Red Line’ (a co-writing credit for Hans Zimmer)
’Married in a Gold Rush’ - a 'lush country duet’ with Danielle Haim (features the line 'we got married in a gold rush / but the rush never felt the same’)
’We Belong Together’ - also features Danielle Haim; described as 'gushing’ and 'an anthem that offers the line “Keats and Yeats/Bowls and plates” yet somehow isn’t annoying’
’Unbearably White’ - “'Infighting among white people about who is marginally more or less white is not particularly interesting,’ Koenig shrugs. Is that what that song is about? 'There’s an aspect of it.’”
’Jerusalem, New York, Berlin’ - album closer; described as the song 'set for most scrutiny’ on the album. 'The song seems sad, featuring perhaps the first reference in pop to the Balfour Declaration.’
'Father of the Bride’ is out May 3, 2019
So sometime last fall we got a submission from someone who claimed that they had an audio snippet of one of the new songs from LP4 (now FOTB) that was played at VW’s show at the Metro in Chicago in August. We didn’t post it because it was illegal audio, but we just got a tip from someone that if you Shazam the clip, the title comes up as “Harmony Hall”, so we tried it ourselves and it worked (as seen above). Ezra recently posted that the first 2 singles from FOTB this week will be “hh/2021″, so it looks like this could possibly be “hh”.
(Thanks to redditor newdorpnewdork for the tip!)
First New Music From Vampire Weekend LP4 Next Week; Update From Ezra
- New music next week
- Initials of the album is FOTB
- 18 songs, 59 minutes long; there will be a double vinyl
- Three 2-song drops every month until the record is out
Ezra’s full message:
To the fans:
I know that 5-6 years is considered a long time between records. Personally, I think it’s a dignified pace befitting a band that’s already placed three albums in stores but everyone has their own sense of time. (I swear the time between 3 & 4 felt shorter to me than 2 & 3. I may be in the minority on this one.)
This album didn’t really take any longer to write/record than MVOTC. We just took more time on the front end to chill. I’ll admit I may have stretched out the mixing/mastering process (aka THE END) a little bit cuz spending half the day with my family & half the day at Ariel’s is my ideal life-rhythm & it’s painful to say goodbye to that rhythm.
Many of you have been hungry for information and we’ve given you very little. I don’t like talking abt a project while in the middle of making it. I usually regret everything I say cuz it turns out to be wrong (so disregard anything I may have said in the past 5 years.) I thought abt making a recording diary to tide over the people leaving intense comments but…to me, the album IS the recording diary…man.
It’s called “FOTB” (well those are the initials - that’s a VW tradition) and it’s 18 songs. Picked the name a few years ago. At some point early on, the album drifted from the Mitsubishi Macchiato aesthetic. It was a helpful guiding principle tho. Working titles are important too.
It’s a lot of songs but they all belong there. (If you disagree, you can always say it was 6 songs too long & make a lil 12-song playlist version of it.) At first, I wanted to make two 23-song albums on some human chromosome shit but then 23&me started doing Spotify playlists and I don’t know…felt we’d been scooped.
Is it a double album? The vinyl will be double so…yes? It’s about 59 minutes long. We can talk more abt that later – if u care. To me, it’s just FOTB.
Anyway, we’re gonna start releasing music next week. After all that waiting, you should have the general schedule:
-There will be three 2-song drops every month until the record is out. 1. hh/2021 2. s/bb 3. tl/uw. (plans can change that’s the plan)
Thank you for ur patience, Ezra
LP4 news: A new song called ‘How Long’ has been registered under EK’s name in ASCAP’s repertory.
This was one of the 5 new songs from LP4 played at VW’s Metro show in Chicago in August & includes a lyric along the lines of “how long ‘til i sink to the bottom of the ocean”.
Being registered with ASCAP doesn’t necessarily mean that it’ll be a single; it could be intended to be used in commercials, TV, movies etc. (or it could be both ♀️).
The other credited writers are William Shelby, Leon Sylvers, & Stephen Shockley (Dance/pop, funk, and R&B/soul writers & performers from the 70s and 80s), which means that the song probably includes a sample or interpolation of a song (or songs) they’ve written.
New Song Titles from ‘Father of the Bride’ + Descriptions
From The Sunday Times (UK):
’Hold You Now’ - album opener; described as 'gorgeous’ and 'folky’ and has a choral sample from 'The Thin Red Line’ (a co-writing credit for Hans Zimmer)
’Married in a Gold Rush’ - a 'lush country duet’ with Danielle Haim (features the line 'we got married in a gold rush / but the rush never felt the same’)
’We Belong Together’ - also features Danielle Haim; described as 'gushing’ and 'an anthem that offers the line “Keats and Yeats/Bowls and plates” yet somehow isn’t annoying’
’Unbearably White’ - “'Infighting among white people about who is marginally more or less white is not particularly interesting,’ Koenig shrugs. Is that what that song is about? 'There’s an aspect of it.’”
’Jerusalem, New York, Berlin’ - album closer; described as the song 'set for most scrutiny’ on the album. 'The song seems sad, featuring perhaps the first reference in pop to the Balfour Declaration.’
'Father of the Bride’ is out May 3, 2019
New Vampire Weekend album set to be released in April/May 2019.