#comedy
Kirsten Dunst in Drop Dead Gorgeous (1999)
Ok, I really like this 1999 movie. It’s corny, campy, silly, cute and just plain strange sometimes. The aesthetic is The main character discovering her sexuality and leaning into it more than she imagined she could is so adorable to me as well. Also, RuPaul playing a ‘straight man’ is hilarious to me as he purposely does it poorly.
When talking about b movies, this one comes up a lot when I’m recommending stuff to my fellow gaybies.
(2006)It’s so bad. It’s so so bad. It’s so bad. It’s bad. It’s so bad. It’s soooooooooo bad. It’s so bad. It’s so so so so so bad. It’s bad. It’s very bad. Oh and also stars Michael Carbonaro? You know, the magician. Talk about a rebrand.
(2001)This is a Japanese horror/comedy musicial that is a little lackluster. There are entertaining/funny parts to it but it took me two days to finish because I just really couldn’t get into all (almost) 2 hours of it. It’s quirky and I can see some people really getting into the bizarre animation and death scenes that come up but, it just wasn’t for me and I really wanted to like it.
This 1981 movie is rewatchable. It’s campy. It’s corny. It’s fun. It’s silly. It’s stupid. Sometimes slow but, it’s a pretty decent early parody movie.
The only meme
I wanna get into a sexual relationship with someone who’s kink is getting slapped purely so that I can say “what did the five fingers say to the face? SLAP!” With the full force of consent to comedic violence
They killed it…they killed it with their bare hands!
Middle-aged Val Kilmer look-a-like Pete Holmes invites his friends and colleagues over for an open discussion about life, comedy, and the union of the two. In the vain of WTF with Marc Maron, Holmes uses the forum to take his listeners on an introspective trip into the world of the young comedian, joining him are guests such as Chelsea Peretti, Nick Kroll, and Anthony Jeselnik. The process of comedy seems to be the running theme of the show, while sex, religion, and insecurities abound as well. Check it out. Its crispy.
-GHH-
On April 5, 1973, Vincent Price ushered us into the… “Theatre of Blood!” This coal-black comedy features priceless Vincent as a ham who likes his critics well-cooked! Featuring a cast of distinguished British actors, Price picks ‘em off with methods ripped straight from the plays of Shakespeare. Witty, wild, and wicked, “Theatre of Blood” is Bard brutality at its barbaric best! The SLAY’s the thing!
Ho-wdy, Ho-rror Ho-mies!
We’re just nutty about the great comedy duos: Abbott and Costello, Nichols and May, and, of CORPSE, Karloff and Price. In this dreadfully delightful skit from “The Red Skelton Hour,” Phibes and Frankenstein commit the most ghastly atrocity of their careers: a musical number. It’s a wonderful little tune that’s sure to raise the dead!
Check it out, Ho-rror Ho-mies: