#constantin brancusi

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To Undress, To gain Nudity - Christian Dior Couture (Raf Simons), Spring 2014. - Constantin BrancusiTo Undress, To gain Nudity - Christian Dior Couture (Raf Simons), Spring 2014. - Constantin BrancusiTo Undress, To gain Nudity - Christian Dior Couture (Raf Simons), Spring 2014. - Constantin BrancusiTo Undress, To gain Nudity - Christian Dior Couture (Raf Simons), Spring 2014. - Constantin Brancusi

To Undress, To gain Nudity

- Christian Dior Couture (Raf Simons), Spring 2014.

- Constantin Brancusi (1876-1957).


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Constantin Brancusi, Muse (La Muse), 1912. Marble, 45 x 23 x 17 cm

Constantin Brancusi, Muse (La Muse), 1912. Marble, 45 x 23 x 17 cm


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Brancusi: View of the Artist’s StudioConstantin Brancusi’s studio through the artist’s eyes—a

Brancusi: View of the Artist’s Studio

Constantin Brancusi’s studio through the artist’s eyes—a closer look reveals his sculptures “The Kiss” in the background and “Mlle Pogany” in the foreground. Brancusi made fewer than 200 drawings, some of which depicted his studio, a subject that also appeared frequently in his photographs. In both his photographs and drawings, Brancusi shows his works stacked and layered in space. He often moved works from base to base, or placed them directly on the floor of his studio, so that they lived in the world alongside ordinary objects, and among people. Now on view.

[: Constantin Brancusi. “View of the Artist’s Studio.” 1918. Gouache and pencil on board. The Joan and Lester Avnet Collection. © Succession Brancusi - All rights reserved (ARS) 2018]


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#ArtSpeaks: Paulina Pobocha on Constantin Brancusi 

“I really wanted to treat him as though he were a living artist.” –Paulina Pobocha, associate curator, shares how the curatorial team stayed true to how sculptor Constantin Brancusi wanted his work to be seen. Watch her gallery talk on selected works from our exhibition “Constantin Brancusi Sculpture.”

Constantin Brancusi Sculpture: The CockWhat do you think this work represents? If you guessed a roos

Constantin Brancusi Sculpture: The Cock

What do you think this work represents? If you guessed a rooster, you view the world a lot like sculptor Constantin Brancusi. Brancusi changed the course of sculpture forever with works that evoked “the essence of things” rather than serving as literal depictions. This simplified form and base, now on view, was carved from a single piece of wild cherry wood.

[Credit: Constantin Brancusi. “The Cock.” Paris 1924. Cherry. Gift of LeRay W. Berdeau. © Succession Brancusi - All rights reserved (ARS) 2018]


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constantin brancusi, “femme se regardant dans un miroir,” 1909, vintage gelatin silver print

Artist  Constantin Brâncuși with two gorgeous companions

Artist Constantin Brâncuși with two gorgeous companions


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Constantin Brancuși (1876-1957), La jeune fille sophistiquée (Portrait de Nancy Cunard), conceived i

Constantin Brancuși (1876-1957), La jeune fille sophistiquée (Portrait de Nancy Cunard), conceived in 1928 and cast in 1932. 


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 Constantin Brancusi, The Kiss, 1912

Constantin Brancusi,The Kiss, 1912


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 Constantin Brancusi, Bouquet, 1930

Constantin Brancusi,Bouquet,1930


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The Newborn. Version I, 1920 Constantin Brancusi

The Newborn. Version I, 1920 Constantin Brancusi


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Constantin Brancusi - The Sleeping Muse

Constantin Brancusi - The Sleeping Muse


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Constantin BrancusiThe KissLimestone23 x 13 ¼ x 10 inches1916

Constantin Brancusi
The Kiss
Limestone
23 x 13 ¼ x 10 inches
1916


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Portrait of James Joyce, 1929, by Constantin Brancusi

Portrait of James Joyce, 1929, by Constantin Brancusi


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Bird in space 1923, Constantin Brancusi

Bird in space 1923, Constantin Brancusi


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Brancusi, Constantin. Mlle Pogany. 1913. The Museum of Modern Art, New York.Bronze with black patina

Brancusi, Constantin. Mlle Pogany. 1913. The Museum of Modern Art, New York.
Bronze with black patina on limestone


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Brancusi, Constantin. Danaïde. 1918. Tate, London.Bronze on limestone base

Brancusi, Constantin. Danaïde. 1918. Tate, London.
Bronze on limestone base


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