#couldnt agree more

LIVE

sys-garden:

haddock and tintin are my baby girls <3

white-winter-hymnals:

aspects of sk8 i’m willing to accept: the illegal skateboarding ring, violence and attempted murder at said skateboarding ring, a politician having a slutty matador persona by night, the entire concept of “the zone”

aspects of sk8 i’m not willing to accept: joe, cherry, and adam all being millennial business owners

harleyquilt:

silverbulletsama:

Kaneki is like when you go on a very strict diet, starve yourself, then you lose your resilience and binge eat the entire fridge 

been there, done that

When you break your fast during Ramadan

siegesquirrel42:

controversial opinion perhaps but I really do think the Game of Thrones finale being as mediocre as it was and utterly destroying any cultural power that franchise held literally overnight was, in hindsight, a net benefit to society

captainkirkk:

There’s something very nice about remembering fics you read years ago. Maybe you remember the plot perfectly, maybe the rest of the fic is only a blur aside from a handful of vivid scenes, but you remember the way it made you feel. And sometimes you dredge up the memory - the premise or a favourite scene or a few lines that stayed with you -  and your heart aches a little bit, the way it does when you think about books you enjoyed as a child.

To all the fanfiction writers out there: your work is beautiful and meaningful and it leaves an impact. I promise.

zalrb:

I have to say it one more time, Sterling K Brown is such a brilliant actor.

sarahthecoat:threepatchpodcast:Episode 113 Gays in Spaaaace!In which we venture into the great beyon

sarahthecoat:

threepatchpodcast:

Episode 113 Gays in Spaaaace!

In which we venture into the great beyond to talk about animated Holmes, Star treks old and new, react to Asylum’s steam punk Sherlock Holmes, and discuss everything you never thought to ask about sex in space. Show notes, streaming and direct download information are available HEREatthree-patch.com. Or subscribe via RSSApple podcasts or wherever you like to listen. 

Featuring:


Listen and enjoy online and find us on social media: Twitter,Instagram,Facebook.

I just started listening this morning, and OMG “meet the three patch” song by @chriscalledmesweetie is PERFECT!!!! :D


Post link

naam11:

Airplane mode for overthinking please

cuntkween:

i should b getting my pussy ate

novalunosiss:

It’s almost been 24 hours since vol 2 came out and I’m still super pissed off, so here’s a list of everything wrong in volume 2.


  • Byler. Queerbait of the fucking century??? I would’ve been significantly less upset if they hadn’t advertised/marketed it so hard during pride month. And making the queer kid the sad gay vessel through which the straight couple thrives is nothing short of homophobic.
  • The deaths. They advertised this season as being particularly dangerous/full of death, which was a straight up lie. The only people who died were either antagonists or minor background characters, with the exception of Eddie (though it was extremely obvious from the start that he was canon fodder, much like Bob- despite how much I liked Eddie’s character, there was never a doubt in my mind that he wasn’t going to die.)
  • Max’s “death”. So I know I just did a section on the deaths but this one pissed me off so much I had to give it it’s own seperate section. Max’s “death” was a total copout. Don’t get me wrong, I love her character. But I wish she did die. Having someone die and be brought back to life is such a terrible, cliche, overused trope. It’s too safe of a choice. Where is the danger? I want to actually be scared that the characters I love might not make it out alive. And since when could El bring people back to life? That’s never been explored in the show before, making it completely out of place and confusing when watching the scene. Having Max die would’ve been impactful, and shown to the audience that any of the characters can die, not just new ones, or unimportant background ones. It would’ve raised the stakes! The scene where she “died” was heartbreaking and powerful, but then they negated that by bringing her back to life, rendering the scene pointless. They either should’ve actually genuinely killed her, or not have her “die” at all. Having that “in-between” sort of situation where she technically died, but came back to life (albeit in a coma) was super flaky, and imo, bad writing.
  • Speaking of bad writing, the time skip! This is genuinely one of the worst things I’ve seen implemented in the show. I generally don’t like time skips anyway, but at least the one at the end of s3 made sense. The main drama of that season was resolved, and they needed to show the Byers moving away. The time skip this season, however, made 0 fucking sense. The drama hadn’t been resolved, it just skipped like half of the climax and the entirety of the falling action, and went straight to the resolution (which wasn’t even a resolution at all). 2 days is a pretty big time skip to implement after skipping half the climax. What happened during those two days??? It was confusing as fuck, and none of the characters actions/behaviour during the “resolution” phase of the story made sense, maybe with the exception of Dustin and Lucas, who were shown to be grieving unlike almost everyone else. You’re telling me that Nancy, Robin and Steve just fought fucking Vecna, almost died, and some of their friends did die (if you count Max) and two days later they’re happily packing up a bunch of old belongings to donate, without a care in the world? And during that scene, there seemed to be little to no concern about Mike’s whereabouts from the entire Wheeler family until he actually showed up. They mentioned they’d been trying to contact them for days, but nothing about their demeanour beforehand implied concern.
  • The monologue. Need I even say more? It was cheesy, cringey, and made no narrative sense. The reasoning Mike gave for being unable to tell El he loved her was one of the stupidest reasons I’ve seen in media, ever. Where was the “amazing monologue” we were promised by the Duffers? That sure as hell isn’t what I’d call amazing. Finn is a great actor, and he’s done amazing monologues before (*cough cough*, the shed scene) so that isn’t on him, it’s on the shitty script. “I feel like my life first started when I met you in the woods”? Bullshit, and such a cruel thing to say in front of Will, who’s life was literally turned upside down on the exact same day. “I loved you since the moment I saw you”? Love at first sight is a cringey trope. Mike was 12 when he first met Eleven. He probably didn’t even know the meaning of love, especially when you take a look at how dysfunctional his parents marriage is/Nancy, his older sisters relationship at the time was. Also, how can he say he loved her the moment he saw her when he spent most of s1 trying to get rid of her (saying he was going to send her back to pennhurst) and calling her a “weapon”? El could’ve found strength to beat Vecna in something far more significant than a teenage boy telling her he loves her, but noooo.
  • Will’s painting. I really feel like I don’t have to elaborate on this one. It just fucking sucked. They built it up like it was going to be some really important declaration of love from Will to Mike, only to have it be used to help further Mileven. Also the actual painting was ass, and all the fan theories about it were way better and more meaningful. (Like the idea we all had of the swingset where Mike and Will first met, or even just a painting of the two of them as their D&D characters, but SEPERATE from the rest of the group so it was actually obvious what the painting meant.)
  • The upside down thing with Henry?? I don’t even know what’s going on there. It was super confusing. Is the mind flayer actually Henry? Did El create the upside down or was it there before? Why did it look like that when Henry first got sent there, but looks like Hawkins now? I know they’ll likely answer these questions next season, but there’s just too many questions and knowing now how shit the duffers are at writing, I doubt they’ll all be answered satisfactorily.
  • The terrible character development. By that, I mean that there was none. Literally no characters had any development. They were all exactly the same as they were at the start of the season. El is still dependent on Mike/isn’t her own person. Mike is still a fucking asshole who treats his friends like shit. Will is still in the closet and hiding his true feelings from everyone around him. Nancy and Jonathan are still lying to each other. Steve is still pining after Nancy. Robin is still pining after Vickie. I could go on and on.
  • The Duffers hate minorities + poor people. Will and Robin, the two queer characters, don’t get well rounded love interests like all of the straight characters, and Will in particular is made to suffer constantly. Lucas and Erica, the two black characters, are both physically assaulted. Max and Eddie, the two poorest characters, who are living in a trailer park, fucking die. (from @hellfireds) Oh, also? The Duffers filmed parts of s4 in a fucking Nazi prison, where Jewish people were held against their wills and killed. (from @artmuseumsandoldbooks)

I’m going to keep updating this list as I think of more things that are wrong with vol 2. There’s already so many things I could add if I decided to include the shit wrong with vol 1 as well, but vol 2 was significantly worse so I’m just gonna stick to that. Feel free to suggest anything else I should add to the list

In conclusion, FUCK THE DUFFERS

calicoskiesacoustic:

i listened to the band and it told me that it’s officially mike nesmith summer

midnight-sun16:

Does Kim deserve Chay? No. Did I want to smack him in the head for treating Chay like that in this episode? Yes. Do I still want to see them together tho? Absolutely. But do I also want Kim to beg for Chay forgiveness after the latter finds out the truth? Yes.

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