#creativetalentnetwork

I’m going to be exhibiting at CTNX this week!
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I’m sharing a table with @artofm3ng , and will be selling some sweet, sweet swag:
- NEW App Bots
- NEW Exclusive collaborative art book “Draw Lunch Vol.1”
- Fresh™ Art Prints
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This con takes place in Burbank, California. I’ll be there Thursday-Saturday. See you there!
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#ctnx #ctnx2021 #creativetalentnetwork #ctnexpo #edensandersart #creativemechanics #appbots #appbot #art #animation #storyboardartist #storyboards
https://www.instagram.com/p/CWTfrBwPKij/?utm_medium=tumblr

Hi everyone!

Some folks asked me to post my processes for these ortho things, so here I go…

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So the needs are : Something mysterious escaped from a secret lab facility. Design an ortho that not just gives modelers, bg painters, and board artists an idea of the space but also incite a mystery. What kind of people inhabited the space? What was its history? What were the people working on? How and why is this facility now in shambles?

First I quickly doodled ideas on a sketchbook with the needs in mind. It’s always nice to know where I wanna go before I start. I tried to really take my time with this phase. I did research, I explored a butt load of ideas, I designed inside the box then design outside the box.

Next, I made a rough sketchup model. I tried to be as descriptive as possible and focused on creating a path for the eye. I populated the scene with props even if I felt I could draw the prop freehand. It saved time and energy in the long run. And yea, sure I’m a fan of using sketchup for this type of stuff, but I highly recommend to try it freehand with perspective if this is your very first ortho rodeo. The fundamentals you learn building something from nothing without the aid of a 3D program is hella good for you.

I then draw on top of the model as any times as I need to but I didn’t just trace everything willy nilly. I improvised as I traced. It’s like when you’re jamming in a band and your bass player is holding a great grove. I don’t just play the same exact shit he’s playing, I solo on top of it. I let my soul do a little singing here. I believe having a strong foundation works wonders when exaggerating and generating designs with personality.

Alright, so now I have an awesome line drawing. Time to add value. The eye craves this stuff. Highest value contrast is where the eye wants to go to. This is where I played around with lighting and drama. At this point I’m glad I’ve made it through half the battle.

I then roughed in the local colors with a general palette in mind. Everything is subject to change so do your best to cut everything into different layers. I wanted to wanna give myself the option to quickly alter the hue, value, or saturation of any given layer without stressin’ about re-paints.

Lastly, I used my knowledge of painting to finish the piece. I tried to really hone in on the storytelling and to not noodle around. Every time I thought I was done or satisfied, I checked with both my story notes and my old school notes then checked back with my piece. How can I improve it? How can I get from 80% there to 100%? Can I improve the lighting to emphasize the mystery? Is there a prop that needs to be added to improve the storytelling. Is there a prop I need to remove that detracts from the storytelling?

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I hope this was helpful!

Francis is as hip as hip can be. He’s Elwood’s best bro for life. The two bonded over music and would marathon through Twilight Zone re-runs on the tele after school. His favorite thing in the world is his walkman and Michael Jackson’s Thriller. 

If I where to cast him, I’d most definitely choose Caleb McLaughlin, also from Stranger Things. 

Excited to announce that @jchanartsand I will have a table at CTNx2016 Come swing by and say hello!