#davidhockney
David Hockney :: Carrowby Hill, 1997
@davidhockneyofficial
David Hockney (born 9 July 1937) is an English painter, draftsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century.
* * * *
“One of the most painful realizations we must come to as artists is that the tale of the artistic trade-off being eventually satisfied is a myth. Whatever maladjustments or cruelties we felt we were dealt as a child remain with us forever, and that Achilles heel or Cassandra truth about us–that awful thing that dogs us perpetually–is never alleviated by applause or money or recognition by those we feel have what we lack or those who witness what we do.
"What the true artists have done–and all true artists are also survivors, so rid yourself of the self-image of an open wound–is to incorporate all of these flaws into the beautiful tapestry they have decided they will become. They do not delude themselves about their flaws; they glory in them and put them to use. Whatever else, these flaws are what help us to write what we write, or act what is acted. And once you’re mature, you find that that is no small reward.”
–Tennessee Williams/Interview with James Grissom/1982
The Details | Top Specs
In The Journal eight bespectacled gentlemen demonstrate how glasses can frame your style: http://mr-p.co/Pd6zhb
Pictured is Mr David Hockney.
Post link
Recently discovered an old label named RITVA MAN, who similarly to R.EH Germany www.r-eh.com, designed sweaters that represent a much more valuable piece of clothing, like a work of art. Today RITVA MAN`s sweaters are exhibited at the V&A Museum in London.
Post link
FAD Weeks 1 & 2 — Photo dump of some of my sketchbook pages (not all finished) for when I was looking at ‘nature’ as a theme.
It’s not directly linked to my current topic, “Gender Equality within Fashion”, but shows development and has inspired some ideas for floral clothing designs.
