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The V&A by Coco de Mer Collection | Midnight Vine sets in silk + metallic leaf motif

The V&A by Coco de Mer Collection | Midnight Vine sets in silk + metallic leaf motif


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 The V&A by Coco de Mer Collection | Midnight Vine bodysuit in silk + metallic leaf motif

The V&A by Coco de Mer Collection | Midnight Vine bodysuit in silk + metallic leaf motif


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Qipao/Cheongsamlate 1930sChina V&A MuseumWoven self-patterned silk damask, lined with cream fur

Qipao/Cheongsam

late 1930s

China 

V&A Museum

Woven self-patterned silk damask, lined with cream fur


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Qipao/Cheongsam1950sHong Kong, ChinaV&A MuseumMachine embroidered silkQipao/Cheongsam1950sHong Kong, ChinaV&A MuseumMachine embroidered silk

Qipao/Cheongsam

1950s

Hong Kong, China

V&A Museum

Machine embroidered silk


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Qipao/Cheongsam1940-1950Hong Kong, China V&A MuseumWoven self-patterned rayonQipao/Cheongsam1940-1950Hong Kong, China V&A MuseumWoven self-patterned rayon

Qipao/Cheongsam

1940-1950

Hong Kong, China 

V&A Museum

Woven self-patterned rayon


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Qipao/Cheongsam1960-1970Hong Kong, China V&A MuseumEmbroidered plain woven silk

Qipao/Cheongsam

1960-1970

Hong Kong, China 

V&A Museum

Embroidered plain woven silk


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Qipao/Cheongsam1960-1970Hong Kong, China V&A MuseumWoven rayon with geometric designs

Qipao/Cheongsam

1960-1970

Hong Kong, China 

V&A Museum

Woven rayon with geometric designs


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Han Woman’s Jacket (Informal)1850-1900ChinaV&A MuseumSilk velvet, with embroidered edgings on sa

Han Woman’s Jacket (Informal)

1850-1900

China

V&A Museum

Silk velvet, with embroidered edgings on satin ground

Summary:  This garment is a three-quarter-length jacket worn by a Chinese woman with a wraparound skirt beneath. The large-scale peony and butterfly design on the velvet part of the coat contrasts with the applied edgings, which are decorated with smaller embroidery motifs in a variety of colours.


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Jifu (Auspicious Robe)ca. 1821-1850ChinaV&A MuseumSilk embroidery on twill weave silkSummary:Thi

Jifu (Auspicious Robe)

ca. 1821-1850

China

V&A Museum

Silk embroidery on twill weave silk

Summary:This type of robe functions as a type of semi-formal court robe for a woman, and the turquoise color suggests this may have been worn by an imperial consort of a lower rank.


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Shawl1870-1920Made in China (Probably for sale in Europe)V&A MuseumEmbroidered silk crêpe in silShawl1870-1920Made in China (Probably for sale in Europe)V&A MuseumEmbroidered silk crêpe in sil

Shawl

1870-1920

Made in China (Probably for sale in Europe)

V&A Museum

Embroidered silk crêpe in silks

Summary: This shawl is formed by two triangular pieces of silk, each with a knotted fringe. The wearer can choose the ground colour - red or yellow. In Britain, these fringed shawls were popular from about 1840 to 1910 because they were seen as ‘artistic’ and bohemian rather than as mainstream fashion accessories.


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JacketsRepublic Period (1920s)Hong Kong, ChinaV&A MuseumSilk satin ground with self patterned de

Jackets

Republic Period (1920s)

Hong Kong, China

V&A Museum

Silk satin ground with self patterned design.

Summary: The qipao was traditionally the costume of the Manchu people, and the style was adopted by Chinese women from the Qing Dynasty. By the twentieth century the shapes and styles of the traditional dress were changing. Neat, slightly waisted jackets paired with above-ankle skirts were prevalent in the 1920s.


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CapQing Dynasty (1875-1911)ChinaWoven SilkV&A MuseumSummary: The relative small size of this cap

Cap

Qing Dynasty (1875-1911)

China

Woven Silk

V&A Museum

Summary: The relative small size of this cap suggests it would have been made for and worn by a boy. Although younger children tended to have fun and colorful hats decorated with images of animals, as they became older it was common practice for children to wear smaller versions of adults’ clothing, as this cap was intended to be. 

Headgear were not merely part of a man or boy’s outfit: especially in the northerly parts of China they were also important for keeping the head warm in colder climates.


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Qipao/Cheongsam20th Century (Probably1960s)Hong Kong, ChinaWoven silkV&A MuseumSummary: Woman&rsQipao/Cheongsam20th Century (Probably1960s)Hong Kong, ChinaWoven silkV&A MuseumSummary: Woman&rs

Qipao/Cheongsam

20th Century (Probably1960s)

Hong Kong, China

Woven silk

V&A Museum

Summary: Woman’s dress (known as a cheongsam in Cantonese or a qipao in Mandarin) made from classic Chinese woven silk with a design of junks and pavilions among traditional trees. It is tailored to accentuate the waist.
The stiffened collar is closed with a triple floret arrangement.

On its own, the qipao is itself a modernised form of the dress worn by Manchu and Han women of the Qing dynasty (1644-1911). During the Republican period (1911-1949), the qipao was promoted as the dress of modern China, identifiably ‘Chinese’ on the one hand, and moving away from 'feudal’ associations with the imperial past.


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RobeQing Dynasty (ca. 1790)ChinaBrocaded silk damask and metallic threadV&A MuseumSummary: This

Robe

Qing Dynasty (ca. 1790)

China

Brocaded silk damask and metallic thread

V&A Museum

Summary: This robe was made to adorn a statue of the Chinese deity, Guan Di. Guan Di, also known as Guan Yu, was an important General of the Eastern Han and Three Kingdoms era. On this robe we see symbols from the twelve insignia used by royalty (such as the symmetrical fu symbol in the centre of the robe; millet; flames; mountains; axes and pheasants). Since he was considered to be equal to an emperor, it is woven with many of the symbols seen on the emperor’s yellow clothes of the same period.

This robe would have been one of a set of clothes of different colors made for the same statue, to be changed according to seasons.


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Daoist RobeQing Dynasty  (19th Century)ChinaSatin silk with embroidery in silks and gold threadV&Daoist RobeQing Dynasty  (19th Century)ChinaSatin silk with embroidery in silks and gold threadV&

Daoist Robe

Qing Dynasty  (19th Century)

China

Satin silk with embroidery in silks and gold thread

V&A Summary

Summary: The robe would have been worn during a religious ceremony. It is embroidered with Taoist symbols, including the Yin and Yang (T'ai Chi) and the Eight Trigrams (Pa Kua). Most of these Taoist robes are made from full widths of uncut silk with limited seaming, but this one is unusual in having sleeves and side seams.Silk satin embroidered with silk and gold thread.



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Jacket1920sShanghai, ChinaWoven silk with sequin edgingV&A MuseumSummary: This sparkling jacket

Jacket

1920s

Shanghai, China

Woven silk with sequin edging

V&A Museum

Summary: This sparkling jacket would have been worn by a fashionable woman in urban China in the 1920s or 1930s, possibly with a matching skirt or else a plain black one. The collar is lined with orange velvet.


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the-fibre-stuff:

kniteral:

Free Vintage Knitting Patterns

hey I found that the british history museum is sharing a ton of vintage knitting and crochet patterns from the 40s for free!

Despite what the original Reddit post says, this is just the V&A’s collection. If you haven’t checked it out, you should. If you already know that collection by heart, I’ve saved you a couple of click-throughs.

The amazing Alexander McQueen; Savage Beauty exhibition at the Victoria and Albert Museum London. Pr

The amazing Alexander McQueen; Savage Beauty exhibition at the Victoria and Albert Museum London. Probably the best fashion exhibition I’ve ever seen. So well put together, I just could not believe the number of garments!! If you’re going to be in London before the 13th of June go and see this exhibition!!


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Beautiful Christian Dior New Look garments at the Victoria & Albert in London. I highly recommen

Beautiful Christian Dior New Look garments at the Victoria & Albert in London. I highly recommend it. Starting next month is an exhibition on the great Alexander McQueen. If you’re in London go and check it out!


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